Can contemporary art say anything about spirituality? Answering this question and more, On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art.
James Elkins tells the story of paintings that have made people cry. Drawing upon anecdotes related to individual works of art, he provides a chronicle of how people have shown emotion before works of art.
This is a tremendous book, a genuine effort at dialogue in an arena marked by the near-complete absence of open exchange.
2 In this way, Dillenberger argues that Warhol's formative understanding of religious iconography translated into his chosen ... 2Jan Greenberg and Sandra Jordan, Andy Warhol: Prince of Pop (New York: Delacorte Press, 2004), 3.
Gilhus, Ingvild S. Laughing Gods, Weeping Virgins: Laughter in the History of Religion. London: Routledge, 1997. Glueck, Grace. “Japan Art Fete Opens Here Tuesday.” New York Times, March 19, 1966, 24. Gluskin, Dawn.
This book discusses the privileging and prohibition of religious images over two and a half millennia in the West.
Home has become a forgotten place, a surrounding that is not deep within our memory. That is to say, we are lost, unable to pursue an act of homemaking, of discovering the meaning of our surroundings and thus our own self-identity.
The Sacred Gaze is a vital introduction to the study of the visual culture of religions.
Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations ...
This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies.
"First published in hardback as Art incorporated 2004"--T.p. verso.