Shakespeare's great tragedies portray through their richly imagined worlds the inescapable fact of human mortality. As the work of a great creative genius, they are so diverse that critical formulas used to describe their overall impact tend to be somewhat suspect. Their impact follows from a response to the entire dramatic action, what is felt at the end with the weight or experience of the whole play behind it. It draws on how our feelings and judgement are exercised and engaged throughout the drama. Shakespeare portrays what life can be like, without pandering to the wish for something easier to contemplate. Something more invigorating than consolation is provided, such art at its greatest achieving the strength of truth. What it compels is a complex acceptance, reflected in Edgar's words, "The weight of this sad time we must obey". Not only implicit positives give value to these plays. Their significance finally results from what they imaginatively invite their audience to experience and witness. This gives a sense not only of the value of life, but also of what can threaten it.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
“Justin Timberlake, 'The 20/20 Experience': Is There a Visual Preference for Whiteness?” Interview with Marc Lamont Hill. HuffPost Live, 27 March 2013.
Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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