Austral Jazz: The Localization of a Global Music Form in Sydney proposes a new theoretical framework for understanding local jazz communities as they develop outside the United States, demonstrating such processes in action by applying the framework to a significant period of the history of jazz in Sydney, Australia after 1973. This volume introduces the notion of ‘Austral Jazz,’ coined in order to reset the focus on supranational conceptions of jazz expressions in the southwestern Pacific. It makes the case for Austral Jazz chronologically across six chapters that discuss, interpret and critique major events and seminal recordings, tracing the development of the Austral shift from a pre-Austral period prior to 1973. Austral Jazz presents a fresh approach to understanding the development of jazz communities, and while its focus is on the Sydney scene after 1973, the ‘Austral’ theory can be applied to creative communities globally. A creative shift took place in Sydney in the early 1970s, which led to the flourishing of a new kind of jazz-based expression, one that reflected Australia’s increasingly globalized and multicultural outlook. This study is timely, and it builds on the work of local jazz researchers. Historiographical understandings of global developments in jazz can be understood within a framework of four overarching narratives: The ‘birth and belonging’ narrative; the ‘spread and adaptation’ narrative; the ‘pluralization by localization’ narrative; and the ‘self-fashioning of the already local’ narrative.
... Bob 566 Barendregt, Bart 1121 Bares, William K. 438, 638, 727, 737 Baresel, Alfred 673 Barker, Simon 562, 1195 Barker, Tom 1338 Barley, Brian 235 Barnard, Bob 1307 Barnard, Len 1234 Barnard, Loretta 1234 Barradas, João 766 Barretto, ...
They brought the piece to a conclusion after about seven and a half minutes, whereupon Manfred Eicher vehemently signalled from the control room to keep it going, and they repeated the form, achieving even greater heights.
5 In this personal identification with discovery, and its use of Eyre's diaries, Lumsdaine's Aria for Edward John relates to Francis Webb's Eyre All Alone. Although Lumsdaine does not share Webb's spiritual journey, nor does the music ...
This first comprehensive overview of the history of Australian jazz combines over 300 entries that survey a wide range of musicians, bands, venues, and record labels, and includes a series...
This book therefore has an original focus. It is structured in two parts: the first discusses broad issues affecting music festivals globally, especially in the context of rural revitalisation.
The Australian Jazz Real Book is dedicated to the preservation and distribution of Australian Jazz in both digital and print.Edited by Tim Nikolsky.Music / Genres & Styles / JazzJazzJazz / Fake BooksJazz / Australia / Fake BooksPopular ...
Black Roots, White Flowers: A History of Jazz in Australia
... Music. North Melbourne: Pluto Press, 2005. Stanhope, Paul. “The Music of Ross Edwards: Aspects of Ritual”. MA thesis, University of Wollongong, 1994. * Stewart, Douglas, and Nancy Keesing, eds. Old Bush Songs and Rhymes of Colonial Times ...
For many of us originating from and living in Asia, we could at least speak on behalf of the Vietnamese jazz musicians wri en about in this book, these places form the major geographic nodes on a map of the global jazz world.
The story of their Australian tour is a tale of conspiracy-a secret plan to kick out and keep out 'undesirable' expressions of modernism, music and race.