This book explores the debates surrounding two dynamic fields – postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, it asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and also because whatever promise that ideal held out has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V.S. Naipaul, J.M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Ambitious in scope, this book challenges many of the existing theoretical and literary frameworks and offers a radical reimagination of the fields. The volume, written in an accessible and lively prose, will be indispensable for scholars and researchers of literature, critical theory, postcolonial studies, cultural studies, and comparative literature.
Postcolonial Writing in the Era of World Literature: Texts, Territories, Globlazations
In a radical and ambitious reconceptualization of the field, this book argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories.
Tell me the real story' (366). Stories which conform to predetermined expectations – the child who expects a bedtime story to consist of fairy-tale characters and predictable plotlines, the readers who expect a newspaper story of a ...
... The Institute for Taxi Poetry also opens with a murder, in this case of the eccentric career taxi poet Solly Greenfields, famous maker of snoek stew. Yet here, too, the reader's interest in the killer's identity quickly dissipates as ...
Different writers have chosen very different strategies in taking on this task: among them Toni Morrison and Charles Johnson (US), Fred D'Aguiar and David Dabydeen (UK/ Guyana), Bernardine Evaristo (UK/Nigeria) and many others.
——ed. (2007) The Arabian Nights in Transnational Perspective, Detroit: Wayne State University Press. Naddaff, S. (1991) Arabesque: narrative structure and the aesthetics of repetition in 1001 Nights, ...
... writing in English often has political connotations and implications , something which we will return to below and which many of the writers we interview have decided positions on . Thus the precondition for the birth of world writing in ...
As the British empire expanded throughout the world, the English language played an important role in power relations between Britain and its colonies. English was used as a colonizing agent...
McCrone , David ( 1992 ) . Understanding Scotland : The Sociology of a Stateless Nation . London and New York : Routledge . Macherey , Pierre ( 1978 ) . A Theory of Literary Production , trans . Geoffrey Wall .
Columbus , Palestine and Arab Jews ' , in Keith Ansell Pearson , Benita Parry and Judith Squires ( eds ) Cultural Readings of Imperialism : Edward Said and the Gravity of History , London : Lawrence & Wishart , 88–105 .