Studying the role of music within religious congregations has become an increasingly complex exercise. The significant variations in musical style and content between different congregations require an interdisciplinary methodology that enables an accurate analysis, while also allowing for nuance in interpretation. This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field. An international and interdisciplinary panel of contributors introduces readers to a variety of research methodologies within the emerging field of congregational music studies. Utilizing insights from fields such as communications studies, ethnomusicology, history, liturgical studies, popular music studies, religious studies, and theology, it examines and models methodologies and theoretical perspectives that are grounded in each of these disciplines. In addition, this volume presents several “key issues” to ground these interpretive frameworks in the context of congregational music studies. These include topics like diaspora, ethics, gender, and migration. This book is a new milestone in the study of music amongst congregations, detailing the very latest in best academic practice. As such, it will be of great use to scholars of religious studies, music, and theology, as well as anyone engaging in ethnomusicological studies more generally.
Until the whole tribe in Judah flourishes, and anointed with the blood of the Lamb serves before you. 28 Communal song struck at the heart of worshippers with its inherent sensuality. Just as the blood of Christ transformed believers, ...
Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating".
This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework.
As such, this book will be of keen interest to scholars working across the fields of religious studies and ethnomusicology [Publisher description]
... sing. Musical participation has also become gendered. For instance, men can have a more difficult time singing ... don't want to hear themselves sing. We're embarrassed of our singing voices' (Fuerst 2014). Furthermore, in the US ...
This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.