With the sustained, coherent perspective of an authored text and the diverse, authoritative views typical of an anthology, Philosophy of Art: Aesthetic Theory and Practice by David Boersema provides the context and commentary students need to comprehend the various issues in philosophy of art. Throughout the book, issues are examined using the lenses of the three broad areas of philosophy: metaphysics, epistemology, and value theory. That is, concerns are raised about what is expressed, how it is expressed, and why it is expressed. Chapters on the artist, the audience, and the artwork further break down the discipline and are applied to the final chapters on the specific types of art. The differences between art and science as well as the relationship of art and society provide a refreshing discussion of overlooked areas in philosophy of art.
Brown, L. B. (2004) “Marsalis and Baraka: An Essay in Comparative Cultural Discourse,” PopularMusic 23: 241–55. ... Bullough, E. (1912) “'Psychical Distance' as a Factor in Art and as an Aesthetic Principle,” British Journal ...
Each of the texts is accompanied by interactive editorial commentary, helping the reader to engage with the philosophical train of thought.
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish,...
This book does not simply present a controversy in its current state of play, but instead demonstrates a philosophical mind at work helping to advance the issue toward a solution.
As Foster himself notes , however , this kind of work can express and collapse into a " posture of indifference ” that expresses both “ a fatigue with the politics of difference , ” since nothing can really be done , and even “ a more ...
Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810.
It has been updated and made more accessible to undergraduates. Davies has a more systematic grasp of the whole field of aesthetics than almost anyone. This is a stimulating book for both students and teachers.
Here is everything you need to know about the history, themes, thinkers and theories to get you started on aesthetics and the philosophy of art.
A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.
Can art be immoral? By grounding abstract and theoretical discussion in real examples the book provides an excellent way into the subject for readers new to the philosophical dimension of art appreciation.