Griffith's battle is against an eagle that bears a remarkable resemblance to a stuffed turkey and is quite obviously manipulated on wires . This picture marked the beginning of Griffith's film career . Max Davidson had also suggested ...
Samuel Brody , writing in the Daily Worker , criticized Experimental Cinema for printing the tribute , since Experimental Cinema had disagreed with Potamkin's aesthetics . Brody wrote that in the previous three years divergent roads had ...
An introduction to the work of the first widely acknowledged master filmmaker.
In shot twenty - one James Kirkwood sows the grain as he did in the film's second shot ( fig . 42 ) . Although the action and location are the same as the earlier shot , a number of important contrasts are set up .
"It has been said that after Griffith, nothing new has been added to the motion picture. The one-time Kentucky farm boy, high school dropout and itinerant stock company actor revolutionized...
The Films of D. W. Griffith
As Griffith's official biographer, Seymour Stern's main purpose of his book was to assemble, as extensively as possible, the rapidly vanishing record of what happened.
The most comprehensive volume on one of the most controversial directors in American film history A Companion to D.W. Griffith offers an exhaustive look at the first acknowledged auteur of the cinema and provides an authoritative account of ...
Interviews with one of the great early film directors, maestro of The Birth of a Nation, Intolerance, and Hearts of the World
The Man who Invented Hollywood: The Autobiography of D. W. Griffith
Traces the artistic and political influences that shaped the director's vision, discusses the influences of the Progressive movement, and connects the film to the social and political climate of the...