Just as the Joan of Arc killer--a rapist who burns his victims before murdering them--is murdering her, Rebecca Tamerlane finds her soul snatched by a group of shapeshifters, who transform it into the likeness of her killer. Original.
... quotation importance 173 The Darker Side of Black 220–21 Fantôme Afrique 213 Fantome Créole 222 Frantz Fanon: Black Skin, White Mask 213 Kapital 213 Looking for Langston 212–13 mise en scène use 173–4 multiple screen use 175–6 Paradise.
Jealousy, longing and sensuality intertwine in this mesmerizing novel of aesthetic obsession and unfulfilled dreams.
The victims---a polite woman and an angelic child---do not seem to be connected in any obvious way. Christie is short-handed, the clues don't stack up, and he's got a rookie detective, Colleen Greer, to look out for. These are his problems.
The mass media make it possible for fame to be enhanced and transformed posthumously. What does it mean to fans when a celebrity dies, and how can death change the way that celebrities are perceived and celebrated?
The term "process art" describes a moment of radical, aformal experimentation in postwar American sculpture. Through the medium of drawing, Afterimagerevisits process art in terms of the artists who defined...
Afterimage moves from the southern to northern Plains and the eastern Midwest, where the natural world calls out through deep lakes and dark woods, and finally through transient moments framed by gardens: a butterfly nectaring on a ...
The appearance of Alain Resnais' 1955 French documentary Night and Fog heralded the beginning of a new form of cinema, one that used the narrative techniques of modernism to provoke...
For whatever reason, the movie afterimages were concentrating on vampire and Slayer, and not on their little friend. They were making progress. It was slow, hard work, but the distance between them and their goal dwindled gradually.
OTHER BOOKS BY KATHLEEN GEORGE FICTION FALLEN TAKEN THE MAN IN THE BUICK ( STORIES ) NON FICTION RHYTHM IN DRAMA PLAYWRITING : THE FIRST WORKSHOP WINTER'S TALES : REFLECTIONS ON THE NOVELISTIC STAGE AFTER IMAGE KATHLEEN GEORGE THOMAS ...
History's Afterimages What might this classic scene of phenomenological incorporation have to do with colonial representations? How does colonial history enable us to re— consider the phenomenology of the photographic image?