Stimulating, thought-provoking utopian fantasy about a young man who's put into a hypnotic trance in the late 19th-century and awakens in the year 2000 to find crime, war and want non-existent.
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Looking Backward: 2000-1887 is a utopian science fiction novel by Edward Bellamy, a lawyer and writer from Chicopee Falls, Massachusetts; it was first published in 1887.
Stimulating, thought-provoking utopian fantasy about a young man who's put into a hypnotic sleep in the late 19th century and awakens in the year 2000 to find a vastly changed world where crime, war, and want no longer exist.
The novel had an enormous impact at the time of its publication, setting in motion a wave of reform activity and creating a vogue for utopian novels that continued over the next three decades.
1890 Dystopian Science Fiction Thus far we have the testimony of Professor West as to the most apparent faults of what we now call the old order of society.
Perhaps in the retrospective view some of our attitudes will appear dated. In this collection of more than fifty columns Raspberry faces a variety of the seemingly intractable problems that are the daily concerns of most Americans.
Written in a form of a diary, the novel directly hits out at Edward Bellamy's 1888 Utopian novel Looking Backward. The political drama that unfolds in this novel will make you deeply wonder how the author could foresee so much!
“The world needs this book.” —Brené Brown, Ph.D., New York Times bestselling author of Dare to Lead and Atlas of the Heart An instant New York Times bestseller As featured in The Wall Street Journal and The Washington Post Named a ...
"It is one of the few books ever published that created almost immediately on its appearance a political mass movement". In the United States alone, over 162 "Bellamy Clubs" sprang up to discuss and propagate the book's ideas.
They put him into a hypnotic trance in a sealed room to cure him. Then the house burnt down and he was forgotten. Until he awoke forty years later and could not - dared not - believe what he saw . . .