This highly original, thought-provoking book – written by a pioneer of communication studies – is the first to analyze the post 9/11 world in terms of global media and popular culture. Written in an engaging and candid manner by a leading expert in this field Argues that cross-cultural understanding can only be achieved by harnessing the power of global media, popular culture, information technology, and personal communications technologies Examines the global trend of using film, video, music, and TV “on-demand” as the framework through which we experience all cultural activity Draws inspiration from the work of a range of theorists, from Charles Darwin to Anthony Giddens Candidly interrogates the very latest developments in world affairs, especially the roles of fundamentalist religious ideology, media globalization, and individualism, whose complex relationships have yet to be explained by social scientists
In his keynote address at the 1999 Independent Spirit Awards, acclaimed independent producer James Schamus—who had worked with filmmakers ranging from Ang Lee to Hal Hartley and Todd Haynes—proposed that the Spirit Awards be ...
7 Holt and others have been attentive to the ways in which the deregulation of media ownership has produced conditions in which a single organization might include a cable company, a movie studio, cable channels, and a wide range of ...
... culture. The complex narrative promises fruitful ethical considerations of lifelike robots, anthropocentrism, and ... Demand: Serialising Dystopia in the Age of Streaming Providers Because the sense of unease with the world is ...
This book is an interdisciplinary collection exploring the impact of emergent technologies on the production, distribution and reception of media content in the Asia-Pacific region.
104 59 Lewis Hyde, Trickster Makes This World: Mischief, Myth and Art (New York: Farrar, Straus and Giroux, 1998), p. 7. 60 Ibid., p. 7. 61 Ibid., p. 283. 62 Ibid., p. 290. 63 64 65 66 67 68 69 70 71 72 Notes 218.
Encouraging us to look beyond the seemingly limitless supply of multimedia content, David Arditi calls attention to the underlying dynamics of instant viewing - in which our access to our favourite binge-worthy show, blockbuster movie or ...
This book explores the quirks of digital culture. Through a series of short punchy chapters, it uses these quirks as momentary glimpses into the hidden dynamics of our swirling, highly mediated and often unfathomable cultural experiences.
This volume emphasizes the economic aspects of art and culture, a relatively new field that poses inherent problems for economics, with its quantitative concepts and tools.
For data on records sold, see Russell Sanjek, From Print to Plastic: Publishing and Promoting America's Popular Music (1900–1980) (Brooklyn: Institute for Studies in American Music, 1983), p. 8. 38. Group members favored artistic purity ...
In Creativity on Demand, cultural anthropologist Eitan Wilf seeks to answer these questions by returning to the fundamental and pervasive expectation of continual innovation.