". . . a great blow-by-blow account of an exciting and still-legendary scene." ---Marshall Crenshaw From the early days of John Lee Hooker to the heyday of Motown and beyond, Detroit has enjoyed a long reputation as one of the crucibles of American pop music. In Grit, Noise, and Revolution, David Carson turns the spotlight on those hard-rocking, long-haired musicians-influenced by Detroit's R&B heritage-who ultimately helped change the face of rock 'n' roll. Carson tells the story of some of the great garage-inspired, blue-collar Motor City rock 'n' roll bands that exemplified the Detroit rock sound: The MC5, Iggy Pop and the Stooges, Mitch Ryder and the Detroit Wheels, SRC, the Bob Seger System, Ted Nugent and the Amboy Dukes, and Grand Funk Railroad. An indispensable guide for rock aficionados, Grit, Noise, and Revolution features stories of these groundbreaking groups and is the first book to survey Detroit music of the 1960s and 70s-a pivotal era in rock music history.
The Uncensored History of Rock 'n' Roll in America's Loudest City Steve Miller ... That's when Great Milenko came out. ... Mike E. Clark: We finished all the post-production on Milenko and the label, Hollywood, came to town.
IND ANDELLS OTHEPPUDORES UTH DAN BRUHNS FILLMORE 2.resarerererere LIEWS MAY 19:24 James Jay ( J. J. ) Barnes was born in Detroit in 1943. As the lead singer with the Holidays , he scored his first top 100 hit , " Real Humdinger ...
... Bill C. Malone, Country Music, USA (1968; Austin: University of Texas Press, 2000), 129–30; Irwin Silber, “Folk Music and the Success Syndrome,” Sing Out! 14:4 (September 1964): 2–4; Joe Klein, Woody Guthrie: A Life (New York: Knopf ...
America's Communal Utopias. Chapel Hill: University of North Carolina Press, 1997. Plummer, William. The Holy Goof: A Biography of Neal Cassady. New York: Paragon House, 1981. Polenberg, Richard. One Nation Divisible: Class, Race, ...
Ronald Sukenick, The Death of the Novel and Other Stories (New York: Dial, 1969), 94; similar versions are given in “Anti- Hippies Disrupt Concert in Tompkins Sq. Park,” New York Times, June 2, 1967; Don McNeill, Moving through Here ...
Alice Cooper. Killer. Warner Bros., 1971. Alice Cooper. Love It to Death. Straight/Warner Bros., 1971. Alice Cooper. Pretties for You. Straight, 1969. Ashley, Robert. Wolfman. Alga Marghen, 2003. Berry, Chuck. “You Can't Catch Me.
Sonically Speaking : a Tale of Revolution and Rock 'n' Roll Brett Callwood ... as he tore through the song , as he recalled in Carson's Grit , Noise , and Revolution : I'm flying on pure adrenaline now , and I'm dancing 74 CHAPTER 3.
Soon the ballroom's prestige attracted international acts like Cream, the Who and the Jeff Beck Group. Detroit music history expert Leo Early celebrates this beloved venue.
"Radio Cultures examines the manifold ways in which radio has influenced the nation's social and cultural environment since its inception nearly a century ago.
Imitation is the highest form of flattery, but in creating a cover version of a song it is also an indication of musical influence and impact—both of which are abundant with Bill Haley and His Comets. Beyond tribute bands and cover ...