Performing Queer Latinidad highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s, a period when the size and influence of the Latina/o population was increasing alongside a growing scrutiny of the public spaces where latinidad could circulate. Performances---from concert dance and street protest to the choreographic strategies deployed by dancers at nightclubs---served as critical meeting points and practices through which LGBT and other nonnormative sex practitioners of Latin American descent (individuals with greatly differing cultures, histories of migration or annexation to the United States, and contemporary living conditions) encountered each other and forged social, cultural, and political bonds. At a time when latinidad ascended to the national public sphere in mainstream commercial and political venues and Latina/o public space was increasingly threatened by the redevelopment of urban centers and a revived anti-immigrant campaign, queer Latinas/os in places such as the Bronx, San Antonio, Austin, Phoenix, and Rochester, NY, returned to performance to claim spaces and ways of being that allowed their queerness and latinidad to coexist. These social events of performance and their attendant aesthetic communication strategies served as critical sites and tactics for creating and sustaining queer latinidad.
RACE, BEAUTY, AND THE EROTICS OF PUERTO RICAN BLACK QUEER PEDAGOGY ... In his 2004 play I Just Love Andy Gibb (first staged in 2007 at the Pregones Theater in the Bronx),1 Charles RiceGonzález gives Riggs's proposal a queer Puerto Rican ...
It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh.
Saunders , Tanya . 2009. “ Grupo OREMI : Black Lesbians and the Struggle for Safe Social Space in Havana . ” Souls 11 ( 2 ) : 167–85 . Saunders , Tanya . 2015. Cuban Underground Hip Hop : Black ... No se baila así no más ... Vol .
The book presents tangible examples of empirical research and practice-based work in the fields of queer and gender studies; geography, architectural, and urban theory; and media and digital culture.
This deftly crafted work represents a dynamic and innovative approach to the study of identity formation and representation, making a vital contribution to a new reformulation of gender and sexuality studies.
See Leonardo Boff and Clodovis Boff, Introducing Liberation Theology (Maryknoll, NY: Orbis Books, 1987); Gustavo ... Amanda Izzo, Liberal Christianity and Women's Global Activism: The YWCA of the USA and the Maryknoll Sisters (New ...
For example, in her 1978 dance technique book, Los Angeles social dance teacher Skippy Blair includes salsa in a chapter on disco dancing. She writes, “Salsa means 'sauce.' It is DISCo DAnCIng with a Latin flavour.
Bisexuals, Machorras, Transfeministas, Fuertes, Locas In Des Tours de BabelDerrida (1985) uses the biblical account of the Tower of Babel to ... Incluso si eres bisexual y eres hombre masculino caes en el estereotipo de lo “femenino.
2000s: Essays, Poetry, and Novels Gaspar de Alba edited Velvet Barrios in 2003. It included her essay “Rights of Passage: From Cultural Schizophrenia to Border Consciousness in Cheech Marin's Born in East L.A.” In this essay, ...
This book defines the interdisciplinary field of performance studies as it has evolved over the past four decades at the intersection of academic scholarship and artistic and activist practices.