John Cage was one of the most extraordinary and intriguing composers of the twentieth century--or perhaps of any century. His vast corpus of musical compositions, writings, and performances has amazed, amused, bored, enlightened, angered, and fascinated audiences throughout the world. Despite the controversy surrounding his work, there is little disagreement about his role as one of the most important and influential members of the avant-garde.
In "Writings about John Cage, "the renowned Cage expert Richard Kostelanetz has collected the writings of thirty-seven prominent scholars and critics. Selections include articles by the composers Henry Cowell, Peggy Glanville-Hicks, Lou Harrison, Michael Nyman, Virgil Thomson, and Christian Wolff; by literary figures Paul Bowles, John Hollander, and Manfredi Piccolomini; by critics Daniel Charles, Jill Johnston, Edward Rothstein, Calvin Tomkins, and Peter Yates; and by performers Merce Cunningham and Paul Zukofsky. The contributions cover all aspects of Cage's life and career, including his music, his aesthetics, his prose and poetry, his visual art, and his contributions to modern dance.
Richard Kostelanetz is a poet and critic who has written and edited numerous books on aesthetics, the avant-garde, and literature, including "The Avant-Garde Tradition in Literature, On Innovative Music(ian)s, The Theatre of Mixed Means, " and "Esthetics Contemporary." He is the author of "The Old Poetries and the New, " also published by the University of Michigan Press. His books on Cage include "John Cage" and "Conversing with Cage. "
." . . the most intelligently chosen book of writings about Cage that I've seen. . . . Kostelanetz is a practiced and gifted anthologist, with the discriminating eye of a litterateur, the sensibility of a poet, and the ear of a musician. . . . . [N]o matter how we read "Writings about John Cage, " we learn--from intelligent and serious teachers whose writings are worth the effort."--Institute for Studies in American Music Newsletter
." . . belongs in the library of anyone who is trying to understand and to deal with John Cage."--Performing Arts Journal
William Grant Still and the Fusion of Cultures in American Music
... 475 Hummin ' to Myself ( Ronstadt ) , 390 The Hunter ( Blondie ) , 169-70 The Hunter ( Ike and Tina Turner Revue ) ... James , 183 , 185 , 186 , 192 " Honeymoon Suite , " 470 Honky Tonk Angel ( Cline , P. ) , 66 Honor ( benefit CD ) ...
RAY NANCE ( trumpet ) , JOHNNY HODGES ( alto sax ) , FLIP PHILLIPS ( tenor sax ) , EARL HINES ( piano ) , AL CASEY ... session with ( I to r ) : Flip Phillips , Oscar Pettiford , Ray Nance , Betty Roché , Sid Catlett and Earl Hines .
Surgeon's Call
I had been invited as special guest on a Jerry Douglas Christmas tour, wryly titled “Jerry Christmas.” It was an honor and a challenge for me to play with Jerry and his band of high-level musicians. But for Aimee and Tanner it was a ...
The 1920–21 series of three “Tuesday nine o'clocks” at Jenkins Art Galleries featured the Hambourg Trio along with the English baritone James Campbell-McInnes who was, like Guerrero, a new arrival on the Toronto musical scene.9 ...
In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating ...
这些经历让我对剧院极其憎恶:日复一日无休止地重复同样的台词和同样的动作,还要忍受他人的任性多变。而且戏剧对人生的看法,以及它的废话连篇都令我非常厌恶。我离开了戴利,返回到位于卡耐基音乐厅的练舞房里。尽管收入不多,但我又可以穿上那件白色的希腊 ...
《瓦格纳与哲学:特里斯坦和弦》将作曲家瓦格纳的艺术生涯置于他那个时代的哲学背景中,详细而全面地研究了瓦格纳与哲学家之间的密切联系:从马克思以前的社会主义者到费尔 ...
我从来不看乐评,不关注别人的赞扬,能听到观众的好评固然值得高兴,但我更关注的是如何将自己变得更好,在下一场音乐会中发挥得更出色。△有人问我,对当今世界舞台上非常活跃的陈美有什么看法?我认为:“陈美的演奏风格是古典加流行,从古典转向流行相当容易, ...