Narrative Prosthesis: Disability and the Dependencies of Discourse develops a narrative theory of the pervasive use of disability as a device of characterization in literature and film. It argues that, while other marginalized identities have suffered cultural exclusion due to a dearth of images reflecting their experience, the marginality of disabled people has occurred in the midst of the perpetual circulation of images of disability in print and visual media. The manuscript's six chapters offer comparative readings of key texts in the history of disability representation, including the tin soldier and lame Oedipus, Montaigne's "infinities of forms" and Nietzsche's "higher men," the performance history of Shakespeare's Richard III, Melville's Captain Ahab, the small town grotesques of Sherwood Anderson's Winesburg, Ohio and Katherine Dunn's self-induced freaks in Geek Love. David T. Mitchell is Associate Professor of Literature and Cultural Studies, Northern Michigan University. Sharon L. Snyder is Assistant Professor of Film and Literature, Northern Michigan University.
Paradoxically, the narrative is enabled through the prosthetic addition of disability. in Mitchell's later essay, he states that 'disability pervades ... Mitchell, 'narrative Prosthesis and the Materiality of Metaphor,' in Sharon ...
4 A “narrative prosthesis” adds a marked physical difference, a sign of transgression or deviance, and then either ... Therefore, narrative prosthesis, though grounded in introducing crisis, makes closure and wholeness possible.
The work of Teresa de Lauretis, Claire Johnston, Karen Hollinger, Tania Modelski, Linda Williams, and others retrieves a feminine gaze from Mulvey's scopophilia. Modelski, for example, notes that Scottie's former girlfriend, Midge, ...
David Mitchell and Sharon Snyder have seen this analogical treatment of disability as a “narrative prosthesis” by which a disabled character serves as a crutch to shore up normalcy somewhere else.18 The disabled character is prosthetic ...
Beyond its material history, prosthesis is a fundamental concept in the field of Disability Studies, having served as the guiding premise of David Mitchell and Sharon Snyder's book Narrative Prosthesis (2000). Just as a consideration of ...
Narrative Prosthesis in Genesis The theoretical work of Mitchell and Snyder, discussed in Chapter 1, provides an excellent tool for the analysis of disability in biblical narrative. In contrast to groups that are under-represented in ...
“Narrative prosthesis” is a term originally developed by David T. Mitchell and Sharon L. Snyder (2000) where the disabled body is often inserted into literary or, in this case, visual narratives as a metaphorical opportunity.
These performances activated complex webs of prosthetic relationships. The notion of “prosthesis” has along and complicated history in critical discourse,8 but in this context, Mitchell and Snyder's theory of “narrative prosthesis” ...
receive silver prosthetic hands after her father cuts her hands off, but she does from KHM2 on. ... Viewed in the context of narrative prosthesis, the passages in which Wilhelm Grimm added or enhanced portrayals of disability in the KHM ...
The Problem Body: Projecting Disability on Film. Ed. Sally Chivers and Nicole ... “'Avengers' Director Joss Whedon Wants to Make a Star Wars Movie.” Complex. ... Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama.