A complete, stroke-by-stroke guide to producing Celtic calligraphy. Learn how to create each leter of the alphabet in the age-old Celtic manner. Crystal clear instructions also cover pens, inks, work surface, paper and lines, how to hold the pen and more. 38 full-page plates plus 8 illustrations.
This invaluable book offers a rich source of design, with lettering, patterns and colours that will delight beginners and more experienced calligraphers.
Inspired by the calligraphy of the Middle Ages, this treasury of unusual fonts features Gothic typefaces such as Lowenbrau, Kaiser, and Hansa along with the lighter styles of Leipzig, Tory, and Hamburg. 53 fonts.
Royalty-free reproductions of authentic Victorian borders: florals, foliates, animals, mythical creatures, interlacements, more. Moderately priced for today's graphic designers.
Transform ordinary handwritten pieces into unique, artistic keepsakes, Calligraphy Magic makes the art of decorative lettering fun and achievable—even if you're a beginner.
Spirited history and comprehensive instruction manual covers 13 styles (ca. 4th–15th centuries).
Masterful retelling of Irish and Welsh stories and tales, including Cuchulain, King Arthur, Deirdre, the Grail, and many more. First paperback edition. 58 full-page illustrations and 18 figures.
Thus fifty - nine different epithets are joined to the name of Mars : 2 Mars Teutates is the Teutates that we know from Lucan ; Mars Segomo is Segomo whose cult appears in Munster and whose name occurs in that of the Irish hero Nia ...
... CELTIC HAND STROKE-BY-STROKE (Irish Half-Uncial from “The Book of Kells”): An Arthur Baker Calligraphy Manual, Arthur Baker. Complete guide to creating each letter of the alphabet in distinctive Celtic manner. Covers hand position, strokes ...
Minimal use of scholarly notes and a highly accessible style make this reader-friendly volume an ideal steppingstone in the path toward the magic cauldron of Celtic myth.
ART/TECHNIQUES THE BOOK OF A HUNDRED HANDS GEORGE B. BRIDGNMAN Mr. Bridgman states unequivocally in his introduction that before preparing this book he had “not discovered a single volume devoted exclusively to the depicting of the hand ...