In a faraway medieval realm, Manfred, an arrogant and evil prince, rules with an iron fist. Banishing his wife to the castle dungeon, he confines — and plans to wed — the lovely Isabella, fiancée of his recently deceased son. The prince's plans are foiled, however, when a well-meaning peasant helps the young woman escape through the castle's underground passages. Grisly, supernatural events further aid in fulfilling a prophecy that spells doom for the prince and justice for Isabella's rescuer and rightful heir to the throne. One of the first and greatest of Gothic novels, this thrilling tale ranks among the most influential books in literary history. Serving as the model for plots, characterizations, settings, and tone for hundreds of successors, The Castle of Otranto abounds with colorful scenes, adventure, suspense, and inexplicable phenomena.
First published pseudonymously in 1764, purporting to be an ancient Italian text from the time of the crusades, The Castle of Otranto is a founding work of Gothic fiction.
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The Castle of Otranto tells the story of Manfred, lord of the castle, and his family. The book begins on the wedding-day of his sickly son Conrad and princess Isabella.
Widely considered the first gothic novel, and indeed an initiator of the whole genre, The Castle of Otranto is a 1764 novel by Horace Walpole. It tells the tale of the lord of a castle, Manfred, and his family.
The novel begins with the impending marriage of Conrad, son the lord of the Castle Otranto, to Isabella. On the day of the marriage, Conrad is mysteriously struck down by...
Also included is Sir Walter Scott’s introduction to the 1811 edition of The Castle of Otranto. This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole.
The book begins on the wedding-day of his sickly son Conrad and princess Isabella. Shortly before the wedding, however, Conrad is crushed to death by a gigantic helmet that falls on him from above.
Walpole gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contexts. Emma Clery's new introduction and notes make this the definitive edition.
After introducing the authors I will concentrate on the novels and how women are described and presented. Which role do they play in the three novels? Is there something special about each woman in the texts?
This collection illustrates the range and the attraction of the Gothic novel. Extreme and sensational, each of the four printed here is also a powerful psychological story of isolation and monomania.