In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organised in the cafe-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.
El dinamismo caracteriza los grabados de Kuniyoshi, los tradicionales trípticos cuyas escenas se desarrollan en torno a un tema central, ampliando el repertorio existente en las escuelas de grabado y dando vida a numerosas hazañas ...
This ambitious and groundbreaking publication accompanies an exhibition of highlights from the early ukiyo-e holdings of the Museum of Fine Arts, Boston. Much of Boston's renowned collection of 'pictures of...
Exhibition held at Ikon Gallery, Birmingham, 22 Sept.-14 Nov. 2010.
Published to accompany the exhibition at the Royal Academy of Arts, London, 24 November 2001 - 17 February 2002.
Dream Worlds: Modern Japanese Prints from the Robert O. Muller Collection
泉湯新話
The publication gives due attention to the contribution of Hokusai's daughter Eijo (Oi), also an accomplished artist. Hokusai continually explored the mutability and minutiae of natural phenomena in his art.
The series brings to life the history and mythology of ancient Japan. In all 100 prints the moon figures prominently, either clearly visible in the design itself, or else referred to in the beautiful poem in the text cartouche.
Like all Yoshitoshi's art, these prints are now considered to be the work of ukiyo-e's last master practitioner.DEMONSâe^FROMâe^THEâe^HAUNTEDâe^WORLD, edited by Jack Hunter (who also edited the ground-breaking extreme ukiyo-e anthology ...
Exquisite depictions of romantically idealized landscapes from woodcut master's superb Fifty-three Stages on the Tokaido. Reproduced from the Collection of the Elvehjem Museum of Art.