Does modern art, as the art of the past always did, "express the times, " or is it a series of willful aberrations? Do we have any way of judging its success or failure? Bypassing art criticism and art theory, Britain's foremost social historian approaches the question from an entirely new angle. Professor Hobsbawm's thesis is that, unlike writers and composers, who have to come to terms with mass production and the technology of infinite repetition, painters still cling to the unique art-object, the product of the artist's own hands. The result has been a succession of increasingly desperate "avant-gardes, " attempts to find relevance and meaning that -- irrespective of the individual artist's talent -- are doomed to failure. Eric Hobsbawm is Emeritus Professor of Economics and Social History at the University of London. An unrepentant Marxist, he has succeeded in uniting original scholarship with popular appeal, and his most recent book, The Age of Extremes, is influential in shaping the way the century is seen by both professional historians and the wider educated public.
Reminiscences of the author as editor of Times of India group of publications.
The Times Lives Behind the Music
Evers was shot by Byron De La Beckwith in his driveway returning home from an NAACP meeting. De La Beckwith was tried twice in 1964 with two all-Caucasian juries deadlocked both times, but a third trial thirty years later gained a ...
Behind Her Times is the definitive study of an author who in celebrating one era helped usher in the next.
My first interview with Dr. James Winter was under dramatic circumstances.
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1942) had emerged as a sophisticated and ingenious writer of sf and fantasy novels and short fiction in the mid to late 1970s, and created a magical world of the fantastic in 1981s Little, Big. “Great Work of Time,” published for the ...
From Prince's superstardom to studio seclusion, this second book in the Prince Studio Sessions series chronicles the years immediately following the Purple Rain era.