An exploration of the lives and works of Verdi and Wagner as well as their respective legacies to the present day, written by a noted cultural critic. This is the first book to compare these two composers and cultural heroes, both of whom were born in 1813 and achieved huge national and inter- national renown in their lifetimes. Yet not only did they never meet, but the differences between them—in music, culture, environment, significance, and legacy—were profound. Peter Conrad begins his tale in a public park in Venice, home to a pair of statues of the composers that are positioned so as to appear to shun each other. This provides a fitting starting point for his argument that they represent two opposite yet equally integral and compelling dimensions of European culture: north versus south, cerebral versus sensual, proud solitude versus human connection, epic mythmaking versus humane magnanimity. The book is a richly argued tour de force that engages passionately and profoundly with music, biography, history, politics, philosophy, psychology, and culture in the broadest sense. As Conrad concludes, “At one time or another, if not simultaneously, we still need the two contradictory, complementary kinds of music that Verdi and Wagner left us.”
... mein Geheimnis mir bewahrt, Wollt 5 3 ich dem Wunder meiner Art, Die Kraft, die mein Geheimnis mir Dienst des reinsten Herzen's weihn: Was rissest nun du mein Geheimnis ein? Elsa (zu seinen Füßen): bewahrt, Wollt3 ich dem Dienst des ...
. . . This volume will have a wide influence upon scholarly and analytical approaches to the music of Verdi and Wagner."--Richard Swift, University of California, Davis "This book presents a great deal of new material.
Additional thanks are due to Jasen Loverti, Jon Ryan Quinn, and Catherine Sprecher- Lovertiforresearchassistanceprovidedduringthebook'spreparation.Laura Macy,editor-in-chiefoftheGroveDictionariesofMusic,generouslygranted ...
Emilia Goggi, the first Azucena. Stride la vampa, bars 89–94. La mano convulsa stendo, bars 107–111. Sul capo mio le chiome, bars 154–158. Opera and Bernadette Australia Cullen Il trovatore; as Azucena. photo Branco Gaica.
This beautiful book has been published to mark the bicentenary of the births of Richard Wagner and Giuseppe Verdi whose operas continue to enrich the lives of opera lovers everywhere.
For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
William Berger is the most helpful guide one could hope to find for navigating the strange and beautiful world of the most controversial artist who ever lived.
Verdi and Wagner
We'll see them fighting with posts, comments and memes as weapons. From an Italian Facebook page that became very popular among music lovers, here is finally "The Social Adventures of Verdi and Wagner".
This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary and criticism which make music ...