The first book to address the significance of the materials and methods used to make contemporary artworks Today, artists are able to create using multiple methods of production—from painting to digital technologies to crowdsourcing—some of which would have been unheard of just a few decades ago. Yet, even as our means of making art become more extraordinary and diverse, they are almost never addressed in their specificity. While critics and viewers tend to focus on the finished products we see in museums and galleries, authors Glenn Adamson and Julia Bryan-Wilson argue that the materials and processes behind the scenes used to make artworks are also vital to current considerations of authorship and to understanding the economic and social contexts from which art emerges. This wide-ranging exploration of different methods and media in art since the 1950s includes nine chapters that focus on individual processes of making: Painting, Woodworking, Building, Performing, Tooling Up, Cashing In, Fabricating, Digitizing, and Crowdsourcing. Detailed examples are interwoven with the discussion, including visuals that reveal the intricacies of techniques and materials. Artists featured include Ai Weiwei, Alice Aycock, Isa Genzken, Los Carpinteros, Paul Pfeiffer, Doris Salcedo, Santiago Sierra, and Rachel Whiteread.
Presents a career development guide for artists, covering such topics as evaluating works, submitting art to museums and galleries, organizing events, raising funds, and using social media to promote one's art.
This is a fascinating glimpse into the minds that gave new life to one of the most beloved and renowned superheroes in history.
The first book to address the significance of the materials and methods used to make contemporary artworks
The accompanying Study Guide serves as a valuable tool for student learning. For each chapter of the book, the study guide provides students with review exercises as well as practice tests using a variety of question formats.
Career-minded artists, this is the book you have been waiting for! Making It in the Art World, Second Edition, explains how to be a professional artist and shares new methods to define and realize what success means.
Douglas M. Davis , " Conversations with Gyorgy Kepes , Billy Klüver , and James Seawright , " Art in America 56 , no . 1 ( 1968 ) : 39. ... Kathleen Woodward ( Madison , WI : Coda Press , 1980 ) , 200-215 ; emphasis in original . 74.
Imagine, if you will, the differences in effects of a city that is essentially white (Casablanca or Tel Aviv), pink (Marrakech), blue (Jodphur or Oman's new Blue City project), red (Bologna) or yellow (Izamal in Yucatan).
This book expands on the framework established in The Open Art Room to incude new methods, updated concepts, and continuous refinement of their growing practices. -- adapted from page [4] of cover.
" Ultimately, the characters in this book show us how we can turn our procrastination into play and our play into great work. With this delightful volume, Julia Cameron once again hits the nail on the head on the subject of creativity.
In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . .