The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century.
In this updated volume, art historian and Hogarth scholar David Bindman surveys the works of this artist whose wry humor and sharp wit was reflected in his prolific paintings and prints, including The Rake’s Progress and Marriage A-la ...
William Hogarth's series of paintings and engravings known as The Four Times of the Day is a masterpiece of satire, an iconoclastic portrait of everyday life in eighteenth-century London. Now...
Traces the career of the English artist and satirist, and depicts life in eighteenth-century England
A NEW YORK TIMES BEST BOOK OF THE YEAR • A darkly funny take on mothers and daughters, about a woman who must take drastic measures to save her husband and herself from the vengeful ghost of her mother-in-law. “A quirky, gruesome, ...
Hogarth: His Life, Art, and Times
William Hogarth is a house-hold name across the country, his prints hang in our pubs and leap out from our history-books.
A new, updated edition of thisilluminating study onWilliam Hogarth, one of theeighteenth century's mostfamous artists and satirists.
From a childhood spent in a debtor’s prison to his death in the arms of his wife, Hogarth recounts the incredible story of how he maneuvered his way into the household of prominent artist Sir James Thornhill, and from there to become one ...
Following in his own footsteps from humble beginnings to professional triumph (and occasional disaster), Hogarth illuminates the work and life of a great artist who embraced the highest principles even while charting humanity's lowest vices ...
This final volume takes Hogarth from his fifty-third year to his death at sixty-seven. The period opens with Hogarth at the height of his powers; a figure of influence with...