Paperback reprint of a book depicting the oddly brilliant relationship between Alfred Hitchcock and David O. Selznick, two of Hollywood's most legendary filmmakers.
Hitchcock et Selznick: la riche et étrange collaboration entre Alfred Hitchcock et David O. Selznick à Hollywood
Utilizing thousands of archival documents, chapters in this book unearth and analyzeSelznick's efforts in the late silent-era, his work at three major Hollywood studios, and his accomplishments as an independent producer, including music ...
Leonard J. Leff ha examinado y comprobado escrupulosamente los escritos y documentos de aquella historia tensa y frecuentemente tormentosa, pero fructuosa de Hitchcock y Selznick, ofreciéndonos el más completo documento que poseemos de ...
At least the first film he made for BIP was a subject of his own choice, an original script by himself and Eliot Stannard (whom he had brought with him from Gainsborough) set in the world of boxing and entitled The Ring.
... 180 Climax 262 The Clock 161 Cobb, Lee J. 262 Coburn, Charles 141 Cohen, Emanuel 224 Cohn, Harry 209 Colbert, ... 317 Connery, Sean 143, 277,279 The Constant Nymph 59 Conte, Richard 181 Cook, Whitfield 149–150 Cooper, Gary 65, ...
Hitchcock's Partner in Suspense: The Life of Screenwriter Charles Bennett Charles Bennett, edited by John Charles Bennett Hitchcock and the Censors John Billheimer My Life in Focus: A Photographer's Journey with Elizabeth Taylor and the ...
Memo from David O. Selznick. Selected and Edited by Rudy Behlmer
Initially,Selznick wanted Hitchcock to direct a disaster movie about the Titanic, but prospects for that project suddenly sank when he discovered that the Leviathan,the World War I ship he wanted to use,was prohibitively expensive.
Here is the man himself -- the author of endless memos, the compulsive gambler, the driving perfectionist.Selznick's life is also a kaleidoscopic reflection of Hollywood's golden era when movies were meant to entertain, when the word star ...
In assigning Rebecca to Hitchcock, Selznick made a point of insisting that the director remain faithful to the du Maurier novel—a requirement that rankled. Hitchcock had adapted a du Maurier work before (Jamaica Inn) and would again ...