"This book is as seductive as the phenomenon that it explores. With courage, love, and joy, Frueh crosses into unexplored terrains of beauty and pleasure, where she finds a grotesquely captivating creature: Monster/Beauty. By illuminating her journey with thoughtful insight and engaging prose, she encourages readers to join her in her quest to articulate fresh ways of thinking about the aesthetic and the erotic and of theorizing the flux of lived experience." —John Alan Farmer, senior editor of Art Journal "Monster/Beauty is a daringly provocative experiment in personal and erotic writing and an important book for anyone interested in breaking normative codes of beauty, pedagogy, and authorial methodology. In a richly self-revealing text, Frueh proposes nothing less than a Rabellaisian re-ordering of aesthetic embodiments within social relations." —Mira Schor, author of Wet: On Painting, Feminism, and Art Culture "Giving new meaning to "embodied writing," this book goes farther than any other toward getting the body into the text. Joanna Frueh is a performance artist first-she is also an art historian, a singer, a poet, a bodybuilder, a professor, an academic celebrity of modest fame, but her performances collapse these distinctions. Frueh's intensely personal, intensely physical prose brings an aura of presence to the book that rivals the effect she achieves on stage." —Robyn Warhol, co-editor of Feminisms "This book is monstrous--full of gorgeous hypermuscular women, step-mothers, and vampires; full of ravishing muscular sex, classroom erotics, splendid aging. It is a performance in which Frueh explores and celebrates her body, its powers and beauties, and those of her friends and lovers." —Alphonso Lingis, author of Excesses, Abuses, and Dangerous Emotions "A welcome voice in contemporary feminist theory, Frueh's Monster/Beauty reminds us of the pleasures of thinking, teaching and creating in wholly embodied, sensual and passionate acts. Frueh poetically enacts the self as an aesthetic/erotic project, affirming the many different and beautiful selves we can become. It is a joy to read." —Marsha Meskimmon, author of We Weren't Modern Enough: Women Artists and the Limits of German Modernism "Joanna Frueh is a hero. I sleep better knowing she's out there writing and thinking." —Michael Cunningham, author of The Hours
Sometimes representations alone form most ofthe content ofinquiry, as in Rough Beauty, by Dave Anderson (2006), ... by Donald Spoto (2009); Bathers, Bodies, Beauty: The Visceral Eye, by Linda Nochlin (2006); Swooning Beauty: A Memoir ...
The sheer exuberance of language that pours forth in Dael Orlandersmith's plays has dazzled critics and audiences alike.
There's no way he's letting Reaper take her. He will find out the truth and finally win back the woman he fell for, even if it means he has to give up the club to do it. This is the concluding part of the In the Arms of Monsters trilogy
See Allen, Horrible Prettiness, 129; Buszek, Pin-Up Grrrls, 43; Montgomery, “A Burlesque,” 31–37; Nally, “Grrly Hurly Burly,” 132; Sally, “ 'It Is the Ugly That Is So Beautiful,' ” 6. 14. Martini, interview, 2017. 15. Martini. 16.
missing beauty. The intelligence network all over the world played an important role at this moment. Everyone had their own privacy, after Queen AJ recovered from her illness, she began to gather beautiful men from all over the world, ...
Featuring brand-new, full-color illustrations throughout by renowned artist Ángel Domínguez as well as a foreword by literary scholar Michael Patrick Hearn, this classic tale of how love can soften even the most monstrous of beasts will ...
“We can't. You can't. We—” She yanked her hands from his. An expression had returned to her eyes, the expression he'd dreaded ever seeing again. Her voice shook. “You really are a monster. A selfish, murderous monster.” “Beauty—” “No.
I will not have you placed in the castle of that monster . BEAUTY . Monster ? Father , what are you saying ? BLOTTI . He is the Beast . I have met the Beast . He wants my life in return for the rose . He gave me the clothes , the gifts ...
In order to reframe beauty in a way that avoids shame-induced body surveillance or punishment, refuses to be reduced to the visual, and includes anyone who seeks it, she develops the concept of “monster/beauty.
You are, and always have been, beautiful. "Beauty begins. That's the point of this book. Our understanding of beauty got started somewhere and somehow, and probably due to someone.