Widely recognized as one of the West Coast's most important and critically acclaimed practitioners of conceptual and installation art, David Ireland (born 1930) has taken the concept of art itself as one of his subjects. A self-described "post-discipline" artist, guided by Zen thought and postmodern aesthetics, Ireland moves fluidly from making small drawings to creating sculptures as large as houses. Freely incorporating anything within his conceptual or physical reach—dirt, concrete, wire, and other everyday materials—his work is subtle, puzzling, and witty, and consistently challenges traditional definitions of art. In this book accompanying the first full-scale retrospective of Ireland's work, curator and author Karen Tsujimoto provides an insightful overview of more than thirty years of the artist's accomplishments, from his drawings, sculptures, and site-specific installations to his remarkable series of architectural transformations, including his well-known house at 500 Capp Street in San Francisco. Chronicling Ireland's circuitous route to his calling, Tsujimoto explores how key life experiences have influenced his artistic perspective—from his early art-student days, through his years as an African importer and safari guide, to his long-standing interest in Eastern, and particularly Zen, philosophy and his deep connections with the San Francisco Bay Area conceptual art community. An illuminating essay by art historian and curator Jennifer R. Gross also considers Ireland's art in terms of historical materialism—assessing his use of neglected materials and artifacts as a process of cultural preservation.
500 Capp Street tells the story of David IrelandÕs house, a rundown Victorian in the Mission District of San Francisco that the artist transformed into an environmental artwork, taking the detritus of his restoration labors as well as ...
"You can't make art by making art," David Ireland once said, and this statement can be understood as one of the guiding principles in his life and work. Sculptor, architect,...
This catalogue accompanies the first UK solo exhibition of American West Coast conceptual and installation artist David Ireland at Karsten Schubert, London, June - July 2008.
David Ireland: A Decade Documented, 1978-1988
Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.
With his tribe he sits and drinks and watches as life spirals around him. 'The Glass Canoe' tells his stories, about the pub, its patrons and their women, about the brutal, tender and unexpected places his glass canoe takes him.
This book provides an up-to-date analysis of Ireland's place on the world stage, exploring its international relations, evolving economic power, changing relationship with the EU, its political role in the world and its changing ...