Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
" Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
Blauner, Robert. “Black Culture: Myth or Reality? ... Campbell, Luther, and John R. Miller. As Nasty as They Wanna Be: The Uncensored Story of Luther Campbell of the 2 Live Crew. Fort Lee, NJ: Barricade Books, 1992. Cantwell, Robert.
Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro ...
Gene Bluestein maintains in "The Blues as a Literary Theme" that jazz in The Great Gatsby is defined in "essentially negative terms."23 Bluestein, like many critics, focuses on the episode describing the presentation of The Jazz History ...
Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.
"One of the most inspiring stories I've come across in a long time.
Genovese , Eugene . The Political Economy of Slavery : Studies in the Economy and Society of the Slave South . 4th ed . New York : Vintage Books , 1967 . " Rather Be a Nigger than a Poor White Man ' : Slave Perceptions of Southern ...
loved and respected veteran of jazz in France, he did not challenge the system. ... The framing of Clarke's jazz as Gilroy's “changing same”—as both signifying black and global musical culture—speaks to a larger trend of universalist ...
Hughes was convinced that he had upped his poet's game, purged his voice of voyeurship, hewed closer to “Negro folk- song forms,” and been more faithful to the life struggles of the black people he wrote about. But black reviewers were ...
He unsuccessfully courted singers in the Howard Burlesque Company and the Primrose and West Minstrels, before he persuaded prima donna Annie Whitney of Clark's Burlesquers to give the song a try. May Irwin heard Whitney sing it and ...