Features essays that combine research, critical analyses and theoretical approaches regarding the meaning and value of amateur and archival films. This book identifies home movies as methods of visually preserving history. It defines a genre of film studies and establishes the home movie as a tool for extracting historical and social insights.
Martin Lefebvre. commemorates facets of landscape encounter is one more step toward placing home movies within a more ... Mining the Home Movie: Excavations into Historical and Cultural Memories, eds. K. Ishizuka s it e s o f m e a n in g ...
... Mining the Home Movie : Excavations in Histories and Memories . Ishizuka ex- plains , " We know that if the canary ... Movie : Excavations in Histories and Memories , edited by Karen L. Ishizuka and Patricia R. Zimmermann ( Berkeley ...
... home movies to illuminate film study and history. (James, Rosen, Zimmermann, Davidoff, Matsumoto, and Roth ... Movie and the National Film Registry,” in Mining the Home Movie (forthcoming). Cayleen Nakamura TRAVELING EXHIBITION ...
Explorations in Amateur Cinema Ian Craven. their own devices, the regions would simply not come ... Trowell Official Festival of Britain Programme, 3. 20 Placing Film within the Local Festival Celebrations Towards the end 136 Chapter Four.
What has history made of the many amateur film reels that have captured the intimate chronicles of the 20th century? Many of them have survived time and have been preserved within families as objects of private history and heritage, ...
... MarieJosé, 122, 136–7, 140 Montana, Gina,144, 149, 154 Morris, David, 12–13 Mulvey, Laura, 4–6, 14,29,65 Murray Parkes,Colin, 11 Nancy, JeanLuc, 13 Neri, Louise,43–4 Noiret, Philippe,21 Nussbaum, Martha, 46–7,77–8 O'Brien, Soledad, ...
Aesthetics of the Everyday in New England Film, 1915–1960 Martha J. McNamara, Karan Sheldon. Progress and Prosperity: Workers Leaving the Factory, 1927 That Dennison used film to capture and share images of his working life is no ...
There were only isolated communities of mostly Chinese, Japanese, and Filipinos lumped together as “Orientals.” Serve the People tells the story of the social and cultural movement that knit these disparate communities into a political ...
... 1992; also translated into Spanish) and Spanish Screen Fiction: Between Cinema and Television (Liverpool University Press and Chicago University Press, 2009). ROB STONE is Professor of European Film at the University of Birmingham.
Within the Manichaean delirium of the 1960s gangster film, the villainous 'third national' (sankokujin) becomes a site of radical alterity that must be excluded. Against this symbolic exclusion, the imagined ethnicity of the yakuza is ...