"It is difficult to write brilliantly about humor, more difficult to write engagingly about humor and politics, and more difficult still to write with precision about humor, politics, and art. Revolutionary Beauty is indispensable for understanding the singular genius of John Heartfield, the Weimar era avant-garde virtuoso whose photomontages created a new visual language for destabilizing and ridiculing NazismÕs rise and triumph." ÑAnson Rabinbach, Professor of History at Princeton University and author of The Third Reich Sourcebook "Historically precise and theoretically astute, this is by far the most wide-ranging study of John HeartfieldÕs extraordinary project to date. Sabine Kriebel goes beyond a single oeuvre to unearth, patiently but provocatively, the complex visual imaginary of the Left in the darkest moments of its history." ÑFrederic J. Schwartz, author of Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany and The Werkbund: Design Theory and Mass Culture Before the First World War "This book by Sabine Kriebel fills a void in an exemplary mode of critical cultural scholarship, promising to take a major place in the fields of 20th century photography, mass media, European cultural studies and modern art. I laud the unprecedented depth of analysis in her probing of specific images and their particular relation to ever-changing events in this period. Attention to this book will radiate centripetally, engaging the interest of a new generation of avid and often extra-mural dissenters in this age of new crisis, potentially serving as historic handbook for the Occupy generation."ÑSally Stein, Emerita Professor, UC Irvine Ê
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...