At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the programÕs first captain, William Shatner, in an interview with the authors: ÒItÕs a television show.Ó In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star TrekÕs existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative ÒstoryworldÓ of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.
This book contends that Star Trek is not just a set of television series, but has become a pervasive part of the identity of the millions of people who watch, read and consume the films, television episodes, network specials, novelizations, ...
that ties the various interviews together is that all of these individuals are highly familiar with the Star Trek ... based on the theories of Joseph Campbell, as espoused especially in his book The Hero with a Thousand Faces (1949).
I will concentrate onStar Trek,the original series, andStar Trek: The Next Generation.These two series differ significantly from each other in their presentation of political and social issues.
A full-length analysis of the popular phenomenon of American science fiction television argues that the genre has replaced the Western in the American cultural imagination; explores common themes in science fiction--including politics, ...
The definitive introduction to American science fiction, this is also the first study to analyse SF across both film and TV. Throughout, the discussion is illustrated with critical case studies of key films and television series, including ...
With 45 highly detailed, beautifully illustrated images to colour however you choose, this is a must-have item for Star Trek fans in this or any other galaxy!
In Social Movements and the Collective Identity of the Star Trek Fandom: Boldly Going Where No Fans Have Gone Before, David G. LoConto explores the development of the Star Trek fandom from its uncertain beginnings in the 1960s, to the ...
Star Trek Creator: The Authorized Biography of Gene Roddenberry. New York: Roc. ... Enterprising Women: Television Fandom and the Creation of Popular Myth. ... Living with Star Trek: American Culture and the Star Trek Universe.
This series was the first television follow-up to the original Star Trek (1966–1969) and ran for seven years earning eighteen Emmy awards before being spun off into four feature films. A consistent feature throughout the Star Trek canon ...
Drawing on a number of methodologies and disciplinary perspectives, this book boldly goes where none has gone before by focusing on the interplay between Star Trek, religion, and American culture as revealed in the four different Trek ...