This wide-ranging history explores German opera from its primitive origins up to Wagner.
MÄRTEN : “ Barthel will never get her ! ” ANNE : “ Barthel will never leave her ! ” B. MÄRTEN : “ I don't want to hear any more about him . ” ANNE : “ Just wait , soon you'll have to ! ” MÄRTEN : “ I'll take that chance !
... Isabel Bayrakdarian (Marzelline), and René Pape (Rocco); conducted by Christoph von Dohnányi; directed by Gina Lapinski. October 28, 2011, Houston, Houston Grand Opera, with Karita Mattila (Leonore), Simon O'Neill ...
Meyer's study of Der FreischÃ1⁄4tz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances ...
This book shows nineteenth-century German opera’s entanglement with national identity formation, adding a significant perspective to discussions about Wagner’s relation to German nationalism by interpreting his esthetic endeavors as a ...
Operas and the libretti they were based on underwent a conscious return to German - Romantic fairy - tale motifs and events from German history . Exemplary for these tendencies are the fairy - tale operas Der Mond ( The Moon ...
In the first book to discuss all of Strauss' operas, Bryan Gilliam explores the composer's response to Wagner in his discussion of Strauss's stage works and their historical contexts.
This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in ...
... more of Wagner's work and then tried to distance himself from Wagner's claims by publicly stating that “ all men are brothers whatever their religion . ... Hans von Bülow refused to grant the divorce , but Cosima moved 109 German Opera.
“From Alte Volkslieder / Ancient Folk Songs.” In Song Loves the Masses: Herder on Music and Nationalism, translated by Philip V. Bohlman, 26–43. ... Schubert's Fingerprints: Studies in the Instrumental Works. Surrey, England: Ashgate ...
The Nineteenth Century and After (Berkeley: University of California Press, 1984) Krämer, Jörg, Deutschsprachiges Musiktheater im späten 18. Jahrhundert. Typologie, Dramaturgie und Anthropologie einer populären Gattung, ...