Records of the Dawn of Photography: Talbot's Notebooks P & Q

Records of the Dawn of Photography: Talbot's Notebooks P & Q
ISBN-10
0521440513
ISBN-13
9780521440516
Category
Science
Pages
413
Language
English
Published
1996-04-18
Publisher
Cambridge University Press
Authors
Larry J. Schaaf, William Henry Fox Talbot

Description

This is the first publication of the two most important notebooks created by William Henry Fox Talbot (1800-1877), the inventor of negative/positive photography. Notebooks P and Q span the period from the first public announcement of photography in 1839 through the 1843 plateau of Talbot's researches. They record both his false starts and his triumphs. While the emphasis is on the new art of photography, there is substantial reference to chemistry, electricity, light, optics, and railroad motive power. The notebook pages are reproduced in full, preserving the tempo and organization of Talbot's thoughts, and keeping his sketches in context. This book will fascinate anyone interested in the history of science or technology.

Similar books

  • History of Photography: A Bibliography of Books
    By Laurent Roosens, Luc Salu

    II-V of Curtis' "North American Indian". 22536 "Images of the Frontier : 'The North American Indian'. A complete collection of images and text by Edward Sheriff Curtis". Reading (GB) : Research Publications, 1995-1996. 2 CD-ROMs.

  • Chrysotype: A Contemporary Guide to Photographic Printing in Gold
    By Leanne McPhee

    This book includes: A concise account of the invention and modification of the chrysotype process, including early discoveries about gold and colour and the significance of moisture for printing in gold How to set up your workspace for ...

  • Photography and Its Origins
    By Tanya Sheehan, Andres Zervigon

    Perhaps my disquiet is triggered most powerfully by the insistent stress he places here on “first” and “primacy” and “fundamental.” These words are again all synonyms for “origin.” Photography, he says, starts with, has its origin in ...

  • Color and Victorian Photography
    By Lindsay Smith

    Records of the Dawn of Photography: Talbot's Notebooks P and Q. Cambridge: Cambridge University Press, 1996. Schaaf, Larry. “Sir John Herschel's 1839 Royal Society Paper on Photography,” History of Photography, 3, no. 1 (1979): 47–60.

  • Archaeology and Photography: Time, Objectivity and Archive
    By Dan Hicks, Lesley McFadyen

    History of Photography 40(3): 250–266. ... In P. Carabott, Y. Hamilakis and E. Papargyriou (eds) Camera Graeca: Photographs, Narratives, Materialities. ... Records of the Dawn of Photography: Talbot's Notebooks P & Q (ed. L.J. Schaaf).

  • The Handbook of Photography Studies
    By Gil Pasternak

    Micklewright, N. (2003), A Victorian Traveler in the Middle East, London: Ashgate. Moors, A. (2001), “Presenting Palestine's Population Premonitions of the Nakba,” MIT Electronic Journal of Middle East Studies, ...

  • Documenting the World: Film, Photography, and the Scientific Record
    By Gregg Mitman, Kelley Wilder

    C. C. Fagg, an active participant in Britain's regional survey movement, where the camera served as the ... H. D. Gower et al., The Camera as Historian: A Handbook to Photographic Record Work for Those Who Use a Camera and for Survey or ...

  • The Gender of Photography: How Masculine and Feminine Values Shaped the History of Nineteenth-Century Photography
    By Nicole Hudgins

    19 Musée d'Orsay and Musée de l'Orangerie , Qui a peur des femmes photographes ? 1839–1945 ( Paris : Editions Hazan , 2015 ) and the small accompanying album by Thomas Galifot and Marie Robert , Qui a peur des femmes photographes ?

  • Encyclopedia of Nineteenth-Century Photography
    By John Hannavy

    French photographer Camille Silvy was born at Nogent-le-Rotrou, a market town to the west of Chartres, on May 18, 1834, to Marie Louise and Onésipe Silvy, descendente of a notable Provençal family with possible ...

  • Each Wild Idea: Writing, Photography, History
    By Geoffrey Batchen

    A constant theme throughout the book is the question of photography's past, present, and future identity.