Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
She studied tempera work at Ajanta: M. Lago, Christiana Herringham and the Edwardian Art Scene (London, 100,6), the definitive biography of a key figure in the late Victorian and Edwardian art world. 1 8 See Mitter, Art and Nationalism, ...
In this fascinating study, Partha Mitter traces the history of European reactions to Indian art, from the earliest encounters of explorers with the exotic.
The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art.
From Ajanta to Yantra, with over 1300 entries on painting, drawing, prints sculpture, galleries and institutions, including more than 300 colour illustrations, Dictionary of Indian Art & Artists presents a...
The Ground Beneath Her Feet is a gripping story that encapsulates the history, dreams and passions of the last half century as no other novel has done.
This book is well-illustrated with many of Abanindranath's creations.
The second edition will also bring the book completely up to date with a chapter on the period from 1991 to 2002 and adiscussion of the last millennium in sub-continental history.
This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture.
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism.
A new interpretation of Gandhi's political philosophy.