Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English ...
Deborah C. Payne's ground-breaking study traces the historical origins of a dilemma still bedevilling theatre companies: how to reconcile audience demand for novelty with profitability.
The volume opens with an introduction surveying the theatre of the time, followed by an essay contextualizing the theatre within the culture as a whole.
This is an introduction to Shakespeare's comedies and romances. Rather than taking each play in isolation, the chapters trace recurring issues, suggesting both the continuity and the variety of Shakespeare's practice.
Leaders in the field of performance studies continue to point the way: Baz Kershaw, for example, in a chapter in The Cambridge Companion to Performance Studies (2008) discusses digital or 'distributed archives' and intermediality.6 The ...
In the sequel, Behn complicates our responses to the conventional roles of the prostitute and the madcap heiress that she had previously exploited. Willmore's indiscriminate sexuality — his commitment to "Variety" — creates a symbolic ...
This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare.
This is a contributory volume covering all aspects of theatre in the 18th and early 19th centuries.
Similarly , the High Kirk of St Giles in Edinburgh is ' what was once a church ! ' ; “ the ruins of the cathedral of Elgin afforded us another proof of the waste of reformation ' ; while the 168 MURRAY PITTOCK.
A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with ...