Margaret Cavendish's Observations upon Experimental Philosophy holds a unique position in early modern philosophy. Cavendish rejects the picture of nature as a grand machine that was propounded by Hobbes and Descartes; she also rejects the alternative views of nature that make reference to immaterial spirits. Instead she develops an original system of organicist materialism, and draws on the doctrines of ancient Stoicism to attack the tenets of seventeenth-century mechanical philosophy. Her treatise is a document of major importance in the history of women's contributions to philosophy and science.
A 2001 edition of Margaret Cavendish's treatise on the philosophy of nature.
"Margaret Cavendish's philosophical work is at last taking its rightful place in the history of seventeenth-century thought, but her writings are so voluminous and wide-ranging that introducing her work to students has been difficult—at ...
Margaret Cavendish's Observations upon Experimental Philosophy holds a unique position in early modern philosophy, drawing on the doctrines of ancient Stoicism to attack the tenets of seventeenth-century mechanical philosophy.
This edition aims to make Margaret Cavendish’s most mature philosophical work more accessible to students and scholars of the period.
OBSERVATIONS UPON EXPERIMENTAL PHILOSOPHY.
XXXII [T]hough I believe that there is a Devil, as the Word of God and the Church inform me, yet I am not of the opinion, that God should suffer him to have such a familiar conjunction, and make such contracts with Man, as to impower ...
Order and regularities -- Cavendish's atomism -- Vitalist materialism and infinite nature -- Creatures -- Human nature and the desire for fame -- Peace and order in human societies -- Gender roles and the role of nature -- Humans and the ...
Margaret Cavendish's Observations upon Experimental Philosophy holds a unique position in early modern philosophy, drawing on the doctrines of ancient Stoicism to attack the tenets of seventeenth-century mechanical philosophy. Her...
These essays throw new light on the complex relations between science, literature and rhetoric as avenues to discovery in the seventeenth and eighteenth centuries.
The Blazing World, is a 1666 work of prose fiction by the English writer Margaret Cavendish, the Duchess of Newcastle. Feminist critic Dale Spender calls it a forerunner of science fiction. It can also be read as a utopian work