“Combine equal parts of Stephen King’s Dark Tower series and Chine Miéville’s Perdido Street Station, throw in a dash of Aubrey BeardsleyandJ.K. Huysmans, and you’ll get some idea of this disturbing, decadent first novel.”—Publishers Weekly Gwynn and Raule are rebels on the run, with little in common except being on the losing side of a hard-fought war. Gwynn is a gunslinger from the north, a loner, a survivor . . . a killer. Raule is a wandering surgeon, a healer who still believes in just—and lost—causes. Bound by a desire to escape the ghosts of the past, together they flee to the teeming city of Ashamoil, where Raule plies her trade among the desperate and destitute, and Gwynn becomes bodyguard and assassin for the household of a corrupt magnate. There, in the saving and taking of lives, they find themselves immersed in a world where art infects life, dream and waking fuse, and splendid and frightening miracles begin to bloom . . . “The plot, with its stories-within-stories and its offhand descriptions of wonders and prodigies, brings to mind the works of Italo Calvino and Jorge Luis Borges.”—Locus
Fleeing the ghosts of their violent past, two former revolutionaries - the roguish, rakish Gwynn and the taciturn Raule - escape from the desert Copper Country to the tropical city of Ashamoil.
Bijaz the Dwarf, leader of the Sewn faction among the dwarfs, fights their persecution. Jason the Factor, friend and apprentice to the missing master, works to maintain stability in the absence of a guiding hand.
From hallucinatory surrealism to human dramas at the fuzzy edges of reality, these stories and poems by the author of The Etched City are by turns exuberant, poignant, darkly funny and delightfully deranged, all showcasing the inventive ...
Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.
Nick, Robert, The Edge of Madness, Frankwrithe & Lewden. Nick, Robert, The Role of Madness and Creativity, Frankwrithe & Lewden. (That squidanthropy should be cited so inappropriately in this context discredits the book before the ...
Through photographs, the alphabet is depicted with words, from a to z, etched in concrete, spray-painted on walls, or stuck into glass in an urban landscape.
Leading a life of crime in a back-alley region of the Thirteen Lands's finest city, the Warden discovers a murdered child and is catapulted back to his former life as a secret police agent before embarking on a dangerous game of deception ...
This fourth volume of the Leviathan series takes the reader to a variety of cities in all their splendor and decadence.
Traces the aftermath of the 1996 Venice opera house fire, an event that devastated Venetian society and was investigated by the author, who through interviews with local figures learned about the region's rich cultural history.
“Reminiscent of Ursula Le Guin’s paradigm-shattering The Left Hand of Darkness, this piercingly moving story belongs in most fantasy collections.”—Library Journal There are secrets beneath her skin.