"In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature. The birds are gone to bed; the cows are still, And sheep lie panting on each old mole hill, And underneath the willow's grey-green bough - Like toil a resting - lies the fallow plough - "Hares at Play"."--Publisher description.
Largely based on the transcripts made by William Knight and other amanuenses at Northampton , it emends the Knight punctuation in an attempt to get closer to Clare's lost manuscripts . The Early Poems of John Clare 1804–1822 , Volumes i ...
I tell of brooks , of blossoms , birds and bowers , Of April , May , of June , and July - flowers ; I tell of May - poles , hock - carts , wassails , wakes , Of bridegrooms , brides , and of their bridal cakes ; I tell of groves ...
TO THE MEMORY OF BLOOMFIELD Sweet unassuming minstrel, not to thee The dazzling fashions of the day belong: Nature's wild pictures, field and cloud and tree And quiet brooks far distant from the throng In murmurs tender as the toiling ...
Clare's Lyric examines John Clare's lyric poems and their impact on the work of three twentieth-century poets—Arthur Symons, Edmund Blunden, and John Ashbery.
John Clare: The CriticalHeritage John Clare's library, held at Northampton Central Library Egerton Manuscript of Letters to Clare The Early Poems of John Clare, 1804–1822 The Letters of John Clare The Later Poems of John Clare, ...
Clare may perhaps have intended to enfold into the poem a little homage to Hannah Bloomfield, whose charming letter to him of 10 March 1825 thanking ... A spring, o'erhung with many a flower, The grey sand dancing in its bed, Embank'd ...
His recovery was credited to the intervention of Francis Willis , the doctor who ran a private asylum in his house near Stamford , where Clare would make a social call thirty years later . Willis used harsh methods and it is doubtful ...
THE WINTERS COME 1 Sweet chesnuts brown, like soleing leather turn, The larch trees, like the colour of the sun, That paled sky in the Autumn seem'd to burn. What a strange scene before us now does run, Red, brown, and yellow, ...
Eric Robinson and David Powell (Ashington and Manchester: MidNAG/Carcanet, 1996) Clare: The Critical Heritage, ed. Mark Storey (London: Routledge & Kegan Paul, 1973) The Early Poems of John Clare 1804–1822, ed.
John Clare