An updated edition of a classic African American autobiography, with new supplementary materialsThe preeminent American slave narrative first published in 1845, Frederick Douglass’s Narrative powerfully details the life of the...
In this book, Mayer shows that humans are, if nothing else, a story-telling, story-consuming animal.
In this volume, Dan Shen systematically investigates how stylistic analysis is indispensable for uncovering this covert progression through rhetorical narrative criticism.
Chase Bank is not gonna be embarrassing me out here in these streets. So when it took several seconds longer for the waiter to return, I assumed there had been a glitch with the machine, or he'd had to stop and fill someone's water and ...
... Gtivenn Halliday, M. A. K. Hamburger, Kate Hamon, Philippe Hansen, Per Krogh Harré, Rom Heart of Darkness Hemingway, Ernest Hempel, Carl Heraclitus Heritage, Johnn Herman, Luc heterodiegetic narration/narrator, see narration Hewitt, ...
In a firsthand look at the events and personalities of the American battle for independence, an American colonial soldier presents an account of his experiences fighting for freedom during the Revolutionary War, in a narrative featuring a ...
Kratz argues that what is important is how the text is read.This is the first study of its kind since Martin Noth's classic studies of thePentateuch and Deuteronomic history.
Research assistance was provided by Logan Bender, Andrew Brod, Laurie Cameron Craighead, Jaeden Graham, Jinshan Han, ... Francesco Filippucci, Kelly Goodman, Patrick Greenfield, Krishna Ramesh, Preeti Srinivasan, and Garence Staraci.
The book opens with a discussion of the emergence of narrative and narration in early cinema and proceeds to illustrate key ideas through numerous case studies.
The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics.