After World War II the United States faced two preeminent challenges: how to administer its responsibilities abroad as the world's strongest power, and how to manage the rising movement at home for racial justice and civil rights. The effort to contain the growing influence of the Soviet Union resulted in the Cold War, a conflict that emphasized the American commitment to freedom. The absence of that freedom for nonwhite American citizens confronted the nation's leaders with an embarrassing contradiction. Racial discrimination after 1945 was a foreign as well as a domestic problem. World War II opened the door to both the U.S. civil rights movement and the struggle of Asians and Africans abroad for independence from colonial rule. America's closest allies against the Soviet Union, however, were colonial powers whose interests had to be balanced against those of the emerging independent Third World in a multiracial, anticommunist alliance. At the same time, U.S. racial reform was essential to preserve the domestic consensus needed to sustain the Cold War struggle. The Cold War and the Color Line is the first comprehensive examination of how the Cold War intersected with the final destruction of global white supremacy. Thomas Borstelmann pays close attention to the two Souths--Southern Africa and the American South--as the primary sites of white authority's last stand. He reveals America's efforts to contain the racial polarization that threatened to unravel the anticommunist western alliance. In so doing, he recasts the history of American race relations in its true international context, one that is meaningful and relevant for our own era of globalization.
Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism.
This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present.
In this Du Bois presaged what Richard Wright , in his 1956 report on the Bandung Conference , coined The Color Curtain , a rephrasing of Winston Churchill's “ iron curtain ” that brought together the social and symbolic ...
In The East Is Black, Taj Frazier examines the ways in which these figures and the Chinese government embraced the idea of shared struggle against U.S. policies at home and abroad.
This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present.
marder, “Kennan's testimony: a Profound Challenge,” Washington Post, February 11, 1966; “Scholarly Diplomat,” New York Times, February 11, 1966. 30. Bryce nelson, “Fulbright Sees active Role in Vietnam,” Washington Post, February 8, ...
This book uses Shepard Stone as a window to this world in which the European-American relationship was hammered out in cultural terms--an arena where many of the twentieth century's major intellectual trends and conflicts unfolded.
... Shifting the Color Line: Race and the American Welfare State (Cambridge, MA: Harvard University Press, ... For an alternative perspective—that the war harmed black civil rights struggles more than it helped them—Harvard Sitkoff, ...
Mohammed Ayub Khan, Friends Not Masters: A Political Autobiography (Oxford: Oxford University Press, 1967), 10. 9. See Rotter, Comrades at Odds, 150–87; quotation at pp. 170–1. Rotter, Comrades at Odds, 178. Nawaz, Crossed Swords, 30–2; ...
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.