In the 1960s, as a response to segregation in the United States, the influential art patron Dominique de Menil began a research project and photo archive called The Image of the Black in Western Art. Now, fifty years later, as the first American president of African American descent occupies his historic term in office, her mission has been re-invigorated through the collaboration of Harvard University Press and the W. E. B. Du Bois Institute to present new editions of the coveted five original books and the anticipated first part of a new volume. The completed set will include ten sumptuous books in five volumes with up-to-date introductions and more full-color illustrations, printed on high-quality art stock for books that will last a lifetime. This monumental publication offers expert commentary and a lavishly illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning new creations by contemporary black artists. Including thousands of beautiful, moving, and often little-known images of black people, including queens and slaves, saints and soldiers, children and gods, The Image of the Black in Western Art provides a treasury of masterpieces from four millennia—a testament to the black experience in the West and a tribute to art’s enduring power to shape our common humanity.
Image of the Black in Western Art
From the Early Christian Era to the "age of Discovery": Devisse, J. From the demonic threat to the incarnation of...
Investigates the participation of black Africans, usually referred to as "Ethiopians," by the Greek and Romans, in classical civilization, concluding that they were accepted by pagans and Christians without prejudice.
Argues that ancient civilization did not discriminate against Black people and suggests reasons for the development of prejudice in the modern world
The 1870 Nautical Magazine, the last volume edited by Rear-Admiral Becher, focuses on the Suez Canal, Australia and Canada.
From the work of François Bernier to G. W. Leibniz, Immanuel Kant, and others, Smith delves into philosophy's part in the legacy and damages of modern racism.
David W. Blight, Race and Reunion: The Civil War in American Memory (Cambridge, Mass., 2001), pp. 110–11, 117. I am much indebted to Professor Blight's book for many of the themes of this chapter. For an especially bitter and vivid ...
What caused the fall of the Roman Empire?
Joe Overstreet's New Aunt Jemima (1964) reinterpreted the comforting caricature, keeping her smile and decorative bandanna but placing a machine gun in her hands that she sprayed out from the canvas. In Time, Robert Hughes wrote, ...
Through the lens of visual art, literature, film, and the author’s lived experience, Out of the Sun examines Black histories in art, offering new perspectives to challenge us.