In this exhilarating book, we accompany Umberto Eco as he explores the intricacies of fictional form and method. Using examples ranging from fairy tales and Flaubert, Poe and Mickey Spillane, Eco draws us in by means of a novelist's techniques, making us his collaborators in the creation of his text and in the investigation of some of fiction's most basic mechanisms.
On the Shoulders of Giants collects previously unpublished essays from the last fifteen years of Umberto Eco’s life.
Essays discuss poetry, communication, television, form, aesthetics, bad taste, and art
In this collection of essays, the author focuses on what he calls the limits of interpretation, or, as once noted in another context, 'the cancer of uncontrolled interpretation.
overcoded abduction seems to be founded on the same mechanism as Peirce's deduction: reasoning from a general law to a particular case. Meta-abduction is comparable with Peircean induction: the testing of a hypothesis.
... Six Walks in the Fictional Woods, p. 15. Eco, Six Walks in the Fictional Woods, p.25. Eco The Role of the Reader, p. 17. Eco, Six Walks in the Fictional Woods, p. 9.Eco refers to his publications on interpretive boundaries: The Limits ...
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo 'The best book you'll read this year' New York Times 'Dazzlingly surreal stories about a failing ...
A frightening suspense novel about nine-year-old Trisha, who becomes lost in the woods as night falls.
He talks of the creation of the work of art, the importance of the community, the problem of communication, and the critical theories governing the artist and his audience.
CHANGING PLACES WITH ANOTHER (175) sciousness, most famously raised by Thomas Nagel in his essay "What Is It Like to Be a Bat?" Nagel concludes that a human cannot change places with a bat, that imaginative transfer on the part of a ...
He shows that the humble list, the potentially endless series, enables us to glimpse the infinite and approach the ineffable.