Giorgio Vasari, author of the famed sixteenth-century compendium Lives, was the most influential proponent of the Medici art myth: the doctrine that painting, sculpture, and architecture reached unique perfection in Florence through inspired Medici patronage. By the mid-seventeenth century, however, Vasari's claims were drawing vehement criticism throughout Italy. Seeking to reaffirm the cultural prestige of his family and his nation, Cardinal Prince Leopoldo de' Medici (1617-1675) sponsored a new Florentine edition of artists' lives in the Vasarian tradition. In After Vasari, Edward Goldberg focuses on Filippo Baldinucci (1625-1696), the chief curator of Leopoldo's remarkable collections. For many years after his patron's death, Baldinucci struggled to realize this great art historiographic project but was continually frustrated by a lack of financial support and by the bitter enmity of other writers on art. He also suffered from chronic depression and from destructive religious obsessions. In tracing the pattern of Baldinucci's successes and failures, Goldberg sheds much new light on the values and customs of late Medici Florence, and on the human dimension of contemporary art historical controversies.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...