Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.
It provides instruction and advice regarding the care and handling of the artificial eyes and orbital prostheses that are worn after surgery. The book is meant to give a positive perspective of dealing with life after the loss of an eye.
Now in its second edition, this bestselling book continues to provide the interested reader, along with nurse practitioners, physician assistants, internists, and family doctors, with practical information about • eyeglass materials, ...
Handbook of Nutrition, Diet, and the Eye, Second Edition, thoroughly addresses common features and etiological factors on how dietary and nutritional factors affect the eye.
Many of the contributors to this volume were present at the meeting, but the arguments were not resolved in Chamonix either. Other leaders in the field were invited to contribute to the discussion, and this volume is the product.
A boy and rabbit both have two eyes that see things of almost any size.
In The Mind's Eye, Sacks examines questions ranging from the primary experiences of how we perceive depth or color or motion to the complex matter of how different individuals have varied ways of thinking and experiencing or recreating the ...
One can even see the occasional fingerprint on the clay figures in Aardman Studios ' Wallace and Gromit shorts The Wrong Trousers and A Close Shave , “ and we're proud of them , " says the man who left some of those traces , creator ...
What color are your eyes? Brown is the most common color. But some people have blue, green, gray, hazel, or amber eyes. What determines your eye color? Read this book to find out about how your genes affect your physical features.
The reeltoreel tapes recorded roving sequences, moving from one camera to another. After twentyfour hours the tape simply began recording over the previous day's recording. Alvord couldn't remember when he had last checked the machine.
Pursued by Trollocs and Myrddrall, Rand and his friends find refuge in the deserted city of Shadar Logoth, but the many dangers they face are far from over. Reprint.