"Following the success of volumes I and II of The Photobook: A History, this third volume brings the history of the photobook up to date, with specific exploration of postwar and contemporary examples. It covers key themes including the globalization of photographic culture, the personalization of photobooks, the self-publishing boom and the new 'layered' photobook approach. While the history of photographs is a well-established canon, less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. Volume III, co-edited by Martin Parr and Gerry Badger, expands this study and history of the photobook further. It explores the symbiotic relationship between the contemporary propaganda book vs. the protest photobook, sex and youth culture, photographers examining their own environments and the impact of the Internet and social media on the nature of the photobook, among much else. The book is divided into 9 thematic chapters, each featuring general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The introductory chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown."--Publisher's description for vol. 3.
Anthologies of photographs are indexed by photographer, subject, and named individuals in portraits.
Douglas Johnson: Southwest Traditions and Modern Icons
The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the ...
... 空间科学研究所(SSI)封底:美国宇航局(NASA),美国地质勘探局(USGS)第4页:美国宇航局(NASA),M·贾斯丁·威尔金森(M. Justin Wilkinson),德克萨斯州立大学(Texas State University),美国宇航局(NASA)约翰逊航天中心(JSC)工作人员雅各布(Jacobs Contract) ...
Although Evans and Christenberry share many of the same subjects and concerns, there is a dramatic difference to the meaning of their work.
But Lawler is also an old-fashioned "artist's artist," long overdue for the kind of serious reconsideration and recognition that this volume affords.
During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used...
This book presents for the first time a selection of Imes's elegant, formally balanced black-and-white images, recorded over nearly twenty years, of local people, river baptisms, black baseball teams, backyards,...
Describes the federal expeditions Hillers accompanied to the American West
A groundbreaking book, the only volume of first-class reproductions of Lewis Carroll's photographs.Published on the one hundredth anniversary of the death of Charles Lutwidge Dodgson (Lewis Carroll), Reflections in a...