This book is a monograph on the legendary American artist Gordon Matta-Clark (1943-1978), considered one of the most important artists of the second half of the twentieth century.
Born in New York and trained in architecture, Gordon Matta-Clark belongs to no movement or school, and can not be characterized by the use of any medium in particular. His practice remains one of the most unique, unequalled, and hugely influential of the past decades.
He is most famous for his building-cuts, actions that translate in the cutting-up of façades, walls, and floors of derelict buildings. Because of the ephemeral and often unauthorized nature of these interventions, Matta-Clark started using photography and film as means of documentation. His social and political convictions, and subsequent involvement in artistic communities, also led to various projects such as the opening of a restaurant in the middle of the then neglected district of Soho (Food), the purchase at auction of fractions of unusable urban land in New York (Fake Estate), and other various visionary urban proposals (with the New York based Anarchitecture group).
The three texts commissioned for this book include Professor Thomas Crow's long survey, that will become a major reference on the work of the artist; Judith Russi Kirshner's essay on the concept of community and how it translates in his work; and Christian Kravagna's analysis of the role of photography and film in Matta-Clark's work.
Apart from these essays, the book also contains a rich Documents section, composed of interviews, articles and various other historical and hard-to-find documents.
Dazzlingly illustrated whit over 300 works, including paintings, drawings and photographs, this beautiful book serves to introduce newcomers to Lam, as well as deepen the understanding of those already familiar with his work"--Back cover.
Seven years earlier , he had met Georgette Berger ( 1901–1986 ) , his future wife , on a carousel at the Charleroi town fair . Now , in 1920 , he runs into her by chance in the botanical gardens in Brussels , where he has moved a couple ...
Walter L. Strauss , general ed . New York , 1978- . Baudiment 1934 F. Baudiment . F. Pallu , principal fondateur de la Société des Missions Etrangères ( 1626-1684 ) . Paris , 1934 . Baudouin 1969 Frans Baudouin .
Published in conjunction with The Philbrook Museum of Art 1998 exhibition of 42 examples of Turner's work collected from the major London galleries.
( 11.7 X 15.7 cm ) Atelier stamp in red on verso , upper right : “ Atelier Ed . Degas " Inscribed lower right : “ Schneider , Berlin " Gerstenberg collector's stamp on verso , lower center M.1979.1 PROVENANCE : Edgar Degas ( sale ...
Thomas Eakins
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
... Eliza Draper Gardiner of Providence ; Rudolph Ruzicka and Florence Wyman Ivins of New York City ; and an enlarged contingent from Provincetown : Ethel Mars , Mary Bacon Jones , Tod Lindenmuth , and Juliette S. Nichols .
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Photographs from the William Merritt Chase Archives at the Parrish Art Museum