"Writing Ireland is a provocative and wide-ranging examination of culture, literature and identity in nine-teenth- and twentieth-century Ireland. Moving beyond the reductionist reading of the historical moment as a backdrop to cultural production, the authors deploy contemporary theories of discourse and the constitution of the colonial subject to illuminate key texts in the cultural struggle between the colonizer and the colonized. The book opens with a consideration of the originary moment of the colonial relationsip of England and Ireland through re-reading of works by Shakespeare and Spenser. Cairns and Richards move then to the constitution of the modern discourse of Celticism in the nineteenth century. A fundamental re-reading of the period of the Literary Revival through the works of Yeats, Synge, Joyce and O'Casey locates them in a social moment illuminated by detailed considerations of poems, playwrights and polemicists such as D. P. Moran, Arthur Griffith, Patrick Pearse and Thomas MacDonagh. Writing Ireland examines the psychic, sexual and social costs of the decolonisation struggle in the society and culture of the Irish Free State and its successor. Beckett, Kavanagh and O'Faolain registered the enervation and paralysis consequent upon sustaining a repressive view of Irish identity. The book concludes in the contemporary moment, as Ireland's post-colonial culture enters crisis and writers like Seamus Heaney, Brian Friel, Tom Murphy and Seamus Deane grapple with the notion of alternative identities. Writing Ireland provides students of literature, history, cultural studies and Irish studies with a lucid analysis of Ireland's colonial and post-colonial situation on which an innovative methodology transcends disciplinary divisions."--
167–174 Johnston, Denis, Collected Plays Volume I (London: Cape, 1959) Johnston, Máirín, Alive Alive O! Recollections and ... Lewis, We Live (London: Lawrence & Wishart, 1978) Jordan, Anthony J., Christy Brown's Women (Dublin: Westport, ...
Interviews with Writers and Academics Jacqueline Hurtley, Rosa González, Esther Aliaga. 3 G.P .: I think probably the British one . That goes as to whether you think of yourself as Irish or British , that old question . Ireland is an ...
These and other deaths prompted him to write his essay on “Magic” in 1901, a manifesto that dissociated his magical pursuit of beauty from their guilt-ridden, destructive attempts to find it in ... Dead faces laugh,” his dying words.
Census writing Ireland in the nineteenth century experienced significant political, economic and social change. Although the Famine was in itself an event of unimaginable misery, it continued to alter Irish, and Anglo-Irish, ...
Berkeley: University of California Press. Murray, Christopher. 2004. Sean O'Casey: Writer at Work. Montreal: McGillQueen's University Press. Murray, Patrick. 2015. “My Life.” Clonberne 2015. National Council for the Blind Ireland. 2008.
... an Irish peer and an Ormonde ally on the Irish Privy Council. Conway had his views altered because Ranelagh, who was a woman (as he said of an Excelent judgment,[)] said the petition was altered, and was then a very wise and well ...
In “Engendering the Postmodern Canon: The Field Day Anthology of Irish Writing, Volumes IV &V: Women's Writing and Traditions,” a reflective piece on her editing of the section “Women and Writing: 1700-1960,” Gerardine Meaney remarks ...
the work of John Kerrigan, who argues for a devolutionary approach to anglophone writing in the four nations (England, Wales, Scotland, and Ireland), and Kate Chedgzoy, whose study of women's writing in the Atlantic archipelago is ...
Over recent years this work has expanded into new multidisciplinary themes and international contexts, including the study of festivals, digital methodologies in public humanities and theatre-as-research practices.
"Wise and Well Spoken: Field Day Women and Translation." Moving Worlds: A Journal of Transcultural Writings 3, no. 1 (Spring 2003): 73-86. Ni Dhomhnaill, Nuala. "What Foremothers?" Poetry Ireland Review 36 (Fall 1992): 18-31.