... study in london, from 1932 to 1936.6 It is ironic that in later years Glanville-Hicks decried the classification 1 'young Melbourne composer: Peggy glanville hicks Wins scholarship', Australian Musical News, 22 (october 1932): 8. 2 ...
Altermodern Dialogues with Neo-Modernist Sensibility Biocentennerary Afterimage (2005) James Gordon Anderson's mesmeric Biocentennerary Afterimage (2005) is a vivid example of a grappling with much that is redolent of neo-modernist ...
“'Abd Al-Qadir Al-Maraghi and 'Ali B. Muhammad Bina'i: Two Fifteenth-Century Examples of Notation. Part 2: Commentary. ... ARMENIA. At'ayan, Robert A. 1999. The Armenian Neume System of Notation, trans. V. N. Nersessian.
Dean, R. T. Hyperimprovisation: Computer Interactive Sound Improvisation. Madison, WI: A- R Editions, 2003. Dean, R. T. 'The Serial Collaborator: A Meta- Pianist for Real- Time Tonal and Non- Tonal Music Generation'. Leonardo 47, no.
... songs. Australasian Music Research, 7: 67—83. Barwick L, Blythe T, Ford L, Reid N, Walsh M 8: Wadeye Aboriginal Languages Centre (2010). Wadeye Song Database. Retrieved 17 Tanuary 2011, from sydney.edu.au/wadeyesong/. Barwick L 8 ...
Music needs no visa: insights from South African voices on teaching African music in Melbourne, Australia. In P. Dunbar-Hall (Ed.). ... Embracing cultural diversity in Australian music teacher education. Music Education Research and ...
5 In this personal identification with discovery, and its use of Eyre's diaries, Lumsdaine's Aria for Edward John relates to Francis Webb's Eyre All Alone. Although Lumsdaine does not share Webb's spiritual journey, nor does the music ...
The academy has been slow to acknowledge the legitimacy of the study of contemporary popular music. ... music within academic research is the value placed historically in research on traditional forms of Indigenous Australian music as ...
\r\lertheimer, M. (1945) Productive Thinking. New York: Harper & Row. West, R., Howell, P. and Cross, 1. (1985) 'Modelling perceived musical structure', in P. Howell, 1. Cross and R. West (eds) Musical Structure and Cognition ...
He did not mention, however, the ending of 'Bonnie George Campbell', where he went even further, harmonizing the hanging supertonic with an E minor chord, achieving a 1, 3, 4, 5, 8 sonority and departing entirely from ...