Over the past 50 years, the influence of visuals has impacted society with greater frequency. No subject is immune from the power of visual culture, and this fact becomes especially pronounced with regards to history and historical discourse. Where once the study of the past was books and printed articles, the environment has changed and students now enter the lecture hall with a sense of history that has been gleaned from television, film, photography, and other new media. They come to understand history based on what they have seen and heard, not what they have read. What are the implications of this process, this visualization of history? Mark Moss discusses the impact of visuals on the study of history with an examination of visual culture and the future of print. Recognizing the visual bias of the younger generations and using this as a starting point for teaching history is a critical component for reaching students. By providing an analysis of photography, film, television, and computer culture, Moss uses the Holocaust as an historical case study to illustrate the ways in which visual culture can be used to bring about an awareness of history, as well as the potential for visual culture becoming a driving force for social and cultural change.
Carol Newton and later John McDonald, Andreas Buja, and others developed a new paradigm for these systems, based on what is now called “linked brushing in multiple views.”28 Whereas PRIM-9 had only a single plot window, a key feature in ...
Aside from the potentially beautiful visualizations such a reading might produce, there are practical questions of historical interpretation that such a metalevel reading of an archive might yield. David Steigerwald has theorized that ...
logographic and linguistic means,” he believes, “developed into what we recognize as writing (toward history and descriptive itineraries); whereas spatially ordered information . . . which was recorded using logographic and pictorial ...
Ivan Illich and Barry Sanders need no references to Greek mythology to understand why historians write . " History becomes possible only when the Word turns into words , " they write . Only verbatim traditions enable the historian to ...
In this first serious exploration of the subject, Murray Dick traces the cultural evolution of the infographic, examining its use in news—and resistance to its use—from eighteenth-century print culture to today's data journalism.
Manuel Lima's smash hit Visual Complexity is now available in paperback.
In this book, he offers you dozens of ideas for telling your story with data presented in creative, visual ways. Open the book, open your mind, and discover an almost endless variety of ways to give your data new dimensions.
In this new companion volume, The Book of Trees, data viz expert Manuel Lima examines the more than eight hundred year history of the tree diagram, from its roots in the illuminated manuscripts of medieval monasteries to its current ...
This book offers an introduction to the field, presenting a framework for exploring historical, theoretical, and practical issues.
In historical terms, the textbook links raw materials and economic activities based on them with settlement development ... Change over time is an implicit dimension that serves to visualize the human impact on landscapes and supports ...