Sinascape: Contemporary Chinese Cinema is a comprehensive study of Chinese-language films at the turn of the millennium. Emphasizing the transnational nature of contemporary Chinese cinema, it provides close readings of most of the important films of China, Taiwan, Hong Kong, and explores the interactions and transactions among these films and between Chinese cinema and Hollywood. General readers, film enthusiasts, and critics will all benefit from Gary Xu's discussion of popular films like Hero, House of Flying Daggers, Kung Fu Hustle, Devils on the Doorstep, Suzhou River, Beijing Bicycle, Millennium Mambo, Goodbye Dragon Inn, and Hollywood Hong Kong.
CTFAL Chi 1624 Mei jie yu ke ji: tou shi chuan bowen hua yu she hui: di si jie dian ying dian shi lu ying guo ji xue shu ... Xian dai yu chuan tong zhi jian: Yang Dechang dian ying Zhong nu xing xing xiang yan jiu = Between modern and ...
Elsewhere on stage, Agnes de Mille's choreography for Oklahoma! in 1943 and the home-grown ballet of Aaron Copland's Rodeo (1942) – and Eugene Loring's choreography for Copland's Billy the Kid (1938) – were all establishing a peculiarly ...
For an informative discussion of sinascape and ideascape in reference to Hero by Zhang Yimou, see Gary G. Xu, Sinascape: Contemporary Chinese Cinema (Lanham, Maryland: Rowman and Littlefield, 2007), especially 36–43. 11.
When Battling Burrows discovers Lucy's whereabouts, he rushes to drag her home even as he vents his rage on her Chinese savior: “You're with a dirty Chink,” he screams. Now Lucy, fearful of her enraged father, locks herself in a closet: ...
Gary Xu, Sinascape, 77. 46. Cheng Qingsong and Huang Ou, Wo de sheyingji bu sahuang, 318. 47. Michael Berry, Speaking in Images, 176. 48. See Marx, Capital: A Critique of Political Economy, 125–131. 49. See Jian Xu, “Representing Rural ...
Sinascape: contemporaryChinese cinema. Lanham, MD: Rowman & Littlefield. Xu, J. 1999. Body, discourse, and the cultural politics of contemporary Chinese Qigong. TheJournal of AsianStudies, 58(4), 961–91. Xu, X. 2006.
Xu, Gary G. Sinascape: Contemporary Chinese Cinema. Lanham, MD: Rowman & Littlefield, 2007. Xu, Jian. “Representing Rural Migrants in the City: Experimentalism in Wang Xiao- shuai's So Close to Paradise and Beijing Bicycle.
Beijing: Zhongguo dianying chubanshe, 1998. Xie Jin 謝晉, Lingu 林谷, and Xu Jin 徐進. “Wu tai jiemei”舞台姐妹[Stage sisters]. Dianying juzuo 電影劇作, 1 (1964): 44–73. Xu, Gary G. Sinascape: Contemporary Chinese Cinema.
Sinascape: Contemporary Chinese Cinema. Lanham, MD: Rowman & Littlefield, 2007. Filmography Akira, Dir. Katsuhiro Otomo, TMS Entertainment/Akira Committee Company Ltd., Bandai, 1988. Blade Runner, Dir. Ridley Scott, Warner Bros.
Xu, Sinascape: Contemporary Chinese Cinema, p. 135. 31. Said, Orientalism, p. 3. 32. See Chow, Primitive Passions. See also Chu, 'The Importance of Being Chinese', pp. 183–206. 33. Yau, 'The Spirits of Capital and Haunting Sounds', p.