It's a typical summer Friday night and the smell of popcorn is in the air. Throngs of fans jam into air-conditioned multiplexes to escape for two hours in the dark, blissfully lost in Hollywood's latest glittery confection complete with megawatt celebrities, awesome special effects, and enormous marketing budgets. The world is in love with the blockbuster movie, and these cinematic behemoths have risen to dominate the film industry, breaking box office records every weekend. With the passion and wit of a true movie buff and the insight of an internationally renowned critic, Tom Shone is the first to make sense of this phenomenon by taking readers through the decades that have shaped the modern blockbuster and forever transformed the face of Hollywood. The moment the shark fin broke the water in 1975, a new monster was born. Fast, visceral, and devouring all in its path, the blockbuster had arrived. In just a few weeks Jaws earned more than $100 million in ticket sales, an unprecedented feat that heralded a new era in film. Soon, blockbuster auteurs such as Steven Spielberg, George Lucas, and James Cameron would revive the flagging fortunes of the studios and lure audiences back into theaters with the promise of thrills, plenty of action, and an escape from art house pretension. But somewhere along the line, the beast they awakened took on a life of its own, and by the 1990s production budgets had escalated as quickly as profits. Hollywood entered a topsy-turvy world ruled by marketing and merchandising mavens, in which flops like Godzilla made money and hits had to break records just to break even. The blockbuster changed from a major event that took place a few times a year into something that audiences have come to expect weekly, piling into the backs of one another in an annual demolition derby that has left even Hollywood aghast. Tom Shone has interviewed all the key participants -- from cinematic visionaries like Spielberg and Lucas and the executives who greenlight these spectacles down to the effects wizards who detonated the Death Star and blew up the White House -- in order to reveal the ways in which blockbusters have transformed how Hollywood makes movies and how we watch them. As entertaining as the films it chronicles, Blockbuster is a must-read for any fan who delights in the magic of the movies.
Now, in this groundbreaking book, she explains a powerful truth about the fiercely competitive world of entertainment: building a business around blockbuster products—the movies, television shows, songs, and books that are hugely ...
Scholars of film studies, screenwriting, and popular culture will find this book of particular interest.
24 David S. Cohen, “Goggles Galore: The Studios Have a New 3- D Vision: Their Film Libraries,” Variety ... 55 Jody Duncan and Lisa Fitzpatrick, The Making of “Avatar” (New York: Abrams, 2010); and Jody Duncan, “The Seduction of Reality ...
Spectacular Narratives is the first serious book-length treatment of the contemporary blockbuster, including the digital-effects-based spectacle, space fictions, the action film, war spectaculars, the recent wave of disaster movies and ...
... Knight Rises; Joker. Further Reading Benjamin Crace Brooker, Will. 2012. Hunting the Dark Knight: Twenty-First Century ... The Dark Knight Trilogy.” Gender Forum, no. 62 (April): 3–20. The Fast and the Furious Release Date: 2001 Director ...
He had the production designer , Elliot Scott , build elaborate miniatures of various sets . Spielberg photographed the cardboard sets from different angles and studied the printed photographs . This helped him decide on the best way to ...
'Directed By Steven Spielberg' fills this gap by examining the distinctive form of the blockbuster.
Ben Hur Specials, 456, 466 Ben-Hur Spices see Ben-Hur Coffee Ben Hur Sports Shop, 702 Ben Hur sports teams, 477, 487–8, 490 Ben Hur Stables, 632, 636, 679, 707 Ben Hur Steel Racing Car, 467 Ben-Hur sterling, 483 Ben Hur Street, ...
Miller takes a less broad approach than Curtis by confining his proposition to only some viewers of U.S. network TV. Miller claims that the pleasure of the sitcom isn't universal; rather “TV is pervasively ironic, forever flattering the ...
Blockbuster Plots Pure and Simple presents step-by-step strategies that demystify the structure of story.