This book offers an informative and accessible cultural history of the European avant-garde in its early twentieth-century heyday. It provides comparative coverage of cultural experimentation across the major European languages, including English, French, German, Russian, Spanish and Italian. Andrew Webber presents striking examples to illustrate a time of unprecedented experiment and energetic performance in all aspects of culture. Readings of some of the most important and characteristic avant-garde texts, pictures and films are set against some of the key developments of the period: advances in technology and psychology; the rise of radical politics; the cultural ferment of the modern metropolis; and the upheaval in issues of gender and sexuality. The author's mediation between a variety of cultural forms, combining political and psychoanalytical modes of understanding, evokes the richness of the age in a manner that students will find both illuminating and provocative. This volume will be an excellent textbook for courses on the avant-garde in departments of comparative cultural studies, literature and film studies.
This collection of critical essays is designed to lay the foundations for a new theory of the European avant-garde.
Clearly written, this book shows readers and students of modernism how and why the avant-gardes were a major force in modern art and culture.
Biographical note: Sascha Bru, Genth University, Belgium; Peter Nicholls, University of Sussex, UK.
The works of the classic European avant-gardes (cubism, futurism, expressionism, Dadaism, constructivism and many other -isms) today still strike many students of modernism as strange or incomprehensible.
'Futurism and the British Avant-Garde', in J. Black, et al., eds., Blasting the Future: Vorticism in Britain 1910–1920 (London: Philip Wilson ... Vorticism and Abstract Art in the First Machine Age: Origins and Development, vol.
Painters and Politics: The European Avant-garde and Society, 1900-1925
This collection of critical essays is designed to lay the foundations for a new theory of the European avant-garde.
Covering the canonised avant-garde movements of Futurism, Expressionism, Dadaism and Surrealism, but also focussing on the avant-garde in Europe’s geographical outskirts, this book will appeal to all those interested in the modernist ...
This book, the first full critical overview of the film avant-garde, ushers in a new approach—and in the process creates its own subject.
The book brings forth original revisions of the theories of the avant-garde, the works of the avant-garde, the idea of the avant-garde as being the vanguard, the leading force of change.