Business-as-usual has been transformed across the music industries in the post-CD age. Against widespread hype about the purported decline of the major music labels, this book provides a critique of the ways these companies have successfully adapted to digital challenges – and what is at stake for music makers and for culture. Today, recording artists are positioned as artist-brands and popular music as a product to be licensed by consumer and media brands. Leslie M. Meier examines key consequences of shifting business models, marketing strategies, and the new common sense in the music industries: the gatekeeping and colonization of popular music by brands. Popular Music as Promotion is important reading for students and scholars of media and communication studies, cultural studies and sociology, and will appeal to anyone interested in new intersections of popular music, digital media and promotional culture.
This book explores the fundamentals of popular music performance for students in contemporary music institutions.
King, A.L. (1963) Some British Collectors of Music, c. 1600–1960, Cambridge: CUP. Shuker, R. (2010) Wax Trash and Vinyl Treasure: Record Collecting as a Social Practice, Aldershot: Ashgate. Viewing: High Fidelity (2000) Feature film; ...
See also South Korea broadcasting policy in UK 132–5 popular music Anglo-American dominant paradigm 77 commercial forms ... 156–61 Music Industry Promotion Act 155 Park Chung Hee administration 156 popular music policies 152–60 public ...
Selling Out traces the evolution of 'selling out' debates in popular music culture and considers what might be lost when the boundary between culture and commerce is dismissed as a relic.
Laing, Dave (1985) One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press. Laing, Dave (2004a) 'The three Woodstocks and the live music scene', in Andy Bennett (ed.), Remembering Woodstock.
Examines the role of music in motion picture films and its influence on the formation of cinematic ideologies.
SOCIAL MEDIA PROMOTION FOR MUSICIANS: THE MANUAL FOR MARKETING YOURSELF YOUR BAND AND
Roy Shuker examines the music press; the impact of music videos; the workings of the industry, songs and genres; public performance; fans and subcultures, and the nature of the `pop star'. * Case studies include contemporary icons such as ...
Exploring the nuances and changing contours of selling out debates allows for the re-animation of a discussion that many musicians, fans and commentators have consigned to history. This book explores the history, meaning and unsteady ...
This book is your guide to the study and practice of music management and the fast-moving music business of the 21st century.